Bruce Conner, B Conner

Tags: San Francisco, Bruce Conner, San Francisco Museum of Modern Art, Contemporary Art, Anglim Gilbert Gallery, Michael Kohn Gallery, Walker Art Center, Whitney Museum of American Art, New York, San Francisco Chronicle, Institute of Contemporary Art, , San Francisco, CA, Susan Inglett Gallery, Norton Simon Museum, San Francisco, CA, Museum of Modern Art, Berkeley, CA, Berkeley Art Museum, di Rosa Preserve, Museum of Contemporary Art, Los Angeles, CA, Semina Culture, Los Angeles, CA, New York, NY, Missouri Addison Gallery, California, Fraenkel Gallery, Germany Semina Culture, Barbara Gladstone Gallery, Andover, Massachusetts Worchester Art Museum, Massachusetts Sheldon Memorial Art Gallery, New York Whitney Museum of American Art, Brandeis University, Assemblage Art, American Art, Modern Art, Los Angeles Times, Albright Thomas, University Art Museum, Albright, ill, San Diego Union, Berkeley Rockhill Nelson Gallery, Whitney Museum, California de Saisset Museum, Illinois University of New Mexico Art Museum, University of California, Davis Museum of Art and Architecture, National Gallery of Art, University of Missouri, Columbia Missouri Princeton University Art Museum, Amsterdam Musee National d'Art Moderne, Paris Oakland Museum, Bloomington University of Arizona Museum of Art, Washington University, Albuquerque Joslyn Art Museum, Nebraska Wesleyan University, Pasadena, California Netherlands Film Museum, Centre Pompidou, Yale University, Los Angeles Walker Art Center, California Wichita Art Museum, Washington D.C. Rose Art Museum, Berlin, Germany, Gallery Paule Anglim, San Francisco Guggenheim Museum, New York Indiana University Art Museum, Anglim Gilbert Gallery University Art Museum, Washington D.C. Museum Moderner Kunst, Omaha, Nebraska Hirschhorn Museum, University of Nebraska St. Louis Art, Austria Newport Harbor Art Museum, Art Institute of Chicago, Museum Norton Simon Museum
Content: Anglim Gilbert Gallery
BRUCE CONNER (1933 ­ 2008)
BORN 1933 2008
McPherson, Kansas Died in San Francisco, CA
EDUCATION:
1956 1956 1957
B.F.A., Nebraska University Brooklyn Museum Art School University of Colorado
SOLO EXHIBITIONS:
2017 2016
Bruce Conner, Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain Bruce Conner: It's all true, MoMA, NYC Bruce Conner: It's all true, SFMOMA, San Francisco
2015 2014 2013 2012 2011 2010
Bruce Conner: Somebody Else's Prints, San Jose Institute of Contemporary Art, San Jose, CA Bruce Conner: Somebody Else's Prints, Ulrich Museum of Art, Wichita State University, Wichita, KS Inkblots 1992-2003, Gallery Paule Anglim, San Francisco, CA Bruce Conner, Paula Cooper Gallery, New York, NY Afterimage: The Prints of Bruce Conner, Senior & Shopmaker Gallery, New York, NY Mabuhay Gardens: Punk Photography and Collage, Gallery Paule Anglim, San Francisco, CA Bruce Conner and the Primal Scene of Punk Rock, MCA Denver, Denver, CO Bruce Conner: An Anonymous Memorial, American University, Katzen Arts Center, Washington D.C. Bruce Conner: Falling Leaves: An Anonymous Memorial, Paula Cooper Gallery, New York, NY Bruce Conner: Eve-Ray-Forever, The Rose Art Museum, Waltham, MA Bruce Conner, Museum Barengasse, Zurich CIRCA SIXTY: Bruce Conner and Jean Conner. Michael Kohn Gallery, Los Angeles Bruce Conner: 1970's, curated by Gerald Matt and Barbara Steffen, Kunsthalle Wien, Vienna (traveled to Kunsthalle Zurich) I am Not Bruce Conner, Ursula Blickle Foundation, Krachtal, Germany Bruce Conner, Inova/Kenilworth Institute, University of Wisconsin, Milwaukee, Peck School of the Arts 4 1/2, Creative Time, New York, NY Long Play: Bruce Conner and the Singles Collection, SFMOMA, San Francisco (SFMOMA's 75th Anniversary), curated by Rudolf Frieling The Late Bruce Conner, Susan Inglett Gallery, New York, NY
2009
The Late Bruce Conner, Susan Inglett Gallery, New York, NY Bruce Conner: Discovered, Gallery Paule Anglim, San Francisco, CA
14 Geary Street | San Francisco, CA 94108 | anglimgilbertgallery.com
Anglim Gilbert Gallery
2008 2007 2006 2005 2004-2005 2004 2003 2002 2000 1999 1998 1997 1996 1995
Bruce Conner in the 1970s, Michael Kohn Gallery, Los Angeles, CA Gallery Paule Anglim, San Francisco, CA Applause, Miyake Fine Art, Tokyo, Japan Mabuhay Gardens, UC Berkeley Art Museum, Berkeley, CA Bruce Conner, Susan Inglett Gallery, New York, NY Gallery Paule Anglim, San Francisco, CA Michael Kohn Gallery, Los Angeles, CA Bruce Conner Sheldon Memorial art Gallery, Lincoln, NE After Conner: Anonymous, Anonymouse and Emily Feather, Katzen Art Center Museum, American University, Washington, D.C. Conner Obscura, Film Screening, SFMOMA, San Francisco, CA Bruce Conner, Gallery Paule Anglim, San Francisco, CA Bruce Conner, Smith Andersen Gallery, Palo Alto, CA Emily Feather: Inkblot Drawings, Michael Kohn Gallery, Los Angeles, CA Bruce Conner: Punk Photos: 1978, Luke(DVD): 2004, Barbara Gladstone Gallery, New York, NY Bruce Connor, Barbara Gladstone Gallery, New York, NY Bruce Conner: Prints, Susan Inglett Gallery, New York, NY Bruce Conner and Company, Michael Kohn Gallery, Los Angeles, CA Bruce Conner: Tapestries, Michael Kohn Gallery, Los Angeles, CA The Films of Bruce Conner, The Seventh Art: New Dimensions in Cinema, SFMOMA, San Francisco, CA Michael Kohn Gallery, Los Angeles, CA The Dennis Hopper One Man Show Vol. II, Susan Inglett, New York 2002 B.C., Gallery Paule Anglim, San Francisco Bruce Conner : Early Assemblages and Recent Inkblot Drawings, Kohn Turner Gallery, Los Angeles, CA Bruce Conner, Gallery Paule Anglim, San Francisco, CA, June 2000 Bruce Conner: Wood Engraving Collages 1961-1996, Susan Inglett, New York, NY Dead Punks and Ashes, Curt Marcus Gallery, New York, NY Conner, de Saisset Museum, Santa Clara University, Santa Clara, CA 2000 B.C.: The Bruce Conner Story Part II, Museum of Contemporary Art, Los Angeles, CA, October 2000 2000 B.C.: The Bruce Conner Story Part II, M.H. deYoung Memorial Museum, San Francisco, CA, May, 2000 2000 B.C.: The Bruce Conner Story Part II, Modern Art Museum of Fort Worth, Fort Worth, TX, February, 2000 2000 B.C.: The Bruce Conner Story Part II, Walker Art Center, Minneapolis, MN, October, 1999 Looking for Mushrooms, Bruce Conner Drawings 1960-1968, Kohn Turner Gallery, Los Angeles, CA, March 1999 Bruce Conner, Curt Marcus Gallery, New York, NY Fearful Symmetry: Inkblot Drawings and Engraving Collages, Kohn Turner Gallery, Los Angeles, CA Bruce Conner: Engraving Collages, Wichita Art Museum, Wichita, Kansas Elite Novelties: Salon Art of the Nineties, Thirteen Engraving Collages by Bruce Conner, Smith-Andersen Gallery, Palo Alto, CA Bruce Conner: 15 Beautiful Mysteries, Kohn Turner Gallery, Los Angeles; Prints and Multiples, I.C. Editions, New York
14 Geary Street | San Francisco, CA 94108 | anglimgilbertgallery.com
Anglim Gilbert Gallery
1993 1992 1991 1990 1989 1988 1987 1986 1985 1983 1980-81 1977 1976 1975 1974-75 1974 1973 1972 1971 1967 1966 1965 1964
Curt Marcus Gallery, New York Kohn Abrams Gallery, Los Angeles Gallery Paule Anglim Zabriskie Gallery, New York Feigen Gallery, Chicago Curt Marcus Gallery, New York Michael Kohn Gallery, Santa Monica Smith-Andersen Gallery, Palo Alto Michael Kohn Gallery, Santa Monica Smith-Andersen Gallery, Palo Alto 56, Bleecker Gallery LTD, New York Pink and Pearl Gallery, San Diego Berkeley Art Museum, Berkeley Fraenkel Gallery, San Francisco Bruce Conner: Photograms, Art Museum Association of America, San Francisco (Traveling Exhibition) Smith-Andersen Gallery, Palo Alto North Point Gallery, San Francisco University of Colorado, Boulder, Colorado Denver Art Museum, Denver, Colorado Braunstein/Quay Gallery, San Francisco Braunstein/Quay Gallery, San Francisco DeYoung Museum, San Francisco; Joslyn Museum, Omaha, Nebraska; Wadsworth Athenaum, Hartford, Connecticut; Otis Art Gallery, Los Angeles; Chicago Museum of Contemporary Art, Chicago Henry Art Gallery, University of Washington, Seattle Galerie Smith-Andersen, Palo Alto Tyler Art Museum, Tyler, Texas Quay Gallery, San Francisco Texas Gallery, Houston Reese Palley Gallery, San Francisco City Lights Bookstore, San Francisco Martha Jackson Gallery, New York James Willis Gallery, San Francisco Texas Gallery, Houston Nicholas Wilder Gallery, Los Angeles San Francisco Art Institute, San Francisco Molly Barnes Gallery, Los Angeles Reese Palley Gallery, San Francisco San Francisco Art Institute, San Francisco Institute of Contemporary Art, Philadelphia Quay Gallery, San Francisco Alan Gallery, New York Galeries "J", Paris Rose Art Museum, Brandeis University, Boston University of British Columbia Art Gallery Batman Gallery, San Francisco Alan Gallery, New York George Lester Gallery, Rome Robert Fraser Gallery, London
14 Geary Street | San Francisco, CA 94108 | anglimgilbertgallery.com
Anglim Gilbert Gallery
1963 1962 1960 1959 1958 1956
Neallie Sullivan Award, San Francisco Art Association Wichita Art Museum, Wichita, Kansas Alan Gallery, New York Swetzoff Gallery, Boston Glantz Gallery, Mexico City Antonio Souza Gallery, Mexico City Ferus Gallery, Los Angeles Alan Gallery, New York Batman Gallery, San Francisco Spatsa Gallery, San Francisco Designers Gallery, San Francisco East West Gallery, San Francisco Rienzi Gallery, New York
TWO PERSON EXHIBITIONS:
2015
YES! Glue: A Half-Century of Collage by Bruce and Jean Conner, American University, Katzen Arts Center, Washington, DC
GROUP EXHIBITIONS:
2015 2014 2013
The West Coast Avant-Garde: 1950 ­ Present, Michael Kohn Gallery, Los Angeles, CA "Retrospective", Gallery Paule Anglim, San Francisco, CA Embracing Modernism: Ten Years of Drawings Acquisitions, Morgan Library & Muesum, New York, NY America is Hard to See, Whitney Museum of American Art, New York, NY Second Chances, Aspen Art Museum, Aspen, CO Allegorical Procedures: Bay Area Collage, 1950-Present, San Francisco State University, San Francisco, CA The Horse is in The Cart, George Adams Gallery, New York, NY Holding It Together: Collage, Montage, Assemblage, Hosfelt Gallery, San Francisco, CA Summer In Black and White, Gallery Paule Anglim, San Francisco, CA INHERENT VICE: THIS IS NOT A BRUCE CONNER EXHIBITION, di Rosa, Napa, CA Group Show, Paula Copper Gallery, New York City, NY Fromas Biograficas, Museo Nacional Centro de Arte Reina Sofia, Madrid Damage Control-Art and Destruction Since 1950, Hirshhorn Museum and Sculpture Garden, Washington, DC Sight/Vision: The Urban Millieu, Gallery Paule Anglim, San Francisco, CA Revisioning History, Senior and Shopmaker Gallery, New York City, NY Resonant Minds: Abstraction And Perception, Pomona College Museum of Art, Claremont, CA Blockbuster, Museo de Arte de Zapopan, Zapopan Beyond Belief: 100 Years of the Spiritual in Modern Art, The Contemporary Jewish Museum, San Francisco, CA Surface Tension, Senior and Shopmaker Gallery, New York City, NY The Whole Earth, Haus der Kulturen der Welt, Berlin
14 Geary Street | San Francisco, CA 94108 | anglimgilbertgallery.com
Anglim Gilbert Gallery
2012 2011 2010 2009
Over, Under, Next: Experiments in Mixed Media 1913-Present, Hirshhorn Museum and Sculpture Garden, Washington, DC Clouds: The World of the Ephemeral, Leopold Museum, Vienna Repetition: 1960-1975, Paula Copper Gallery, New York City, NY The Unphotographable, Fraenkel Gallery, San Francisco, CA Into the Mystic, Michael Kohn Gallery, Los Angeles, CA Sound, Image, Object: The Intersection of Art and Music, Sonona University Art Gallery, Rohnert Park, CA Figure and Form in Contemporary Photography, LACMA, Los Angeles, CA Inter Ruption, Michael Kohn Gallery, Los Angeles, CA The Residue of Memory, Aspen Art Museum, CO A House Full of Music, Strategien in Musik und Kunst, Darmstadt Perspectives 178: Cineplex, Contemporary Art Museum Houston, TX Est-3: Southern California in New York, Parrish Art Museum, Southampton, NY Circus Wols, Museum fur Moderne Kunst, Bremen Optical Noise, David Winton Bell Gallery, Providence, RI September 11, P.S.1 Contemporary Art Center ­ MoMA, New York, NY Imagine Being Here Now, 6th Momentum Biennial 2011, Moss, Sweden Kompass, Zeichnungen and Museum of Modern Art New York, Berlin, Germany Picture For Picture, Museum Ostwall, Dortmund, Germany Lost & Found: Abstracting Los Angeles 1945-80, Robert Berman Gallery, Santa Monica, CA Circa Sixty, Michael Kohn Gallery, Los Angeles, CA Accumulations, Paula Copper Gallery, New York City, NY Session 4/All Of The Above, Palais de Tokyo, Paris Under the Big Black Sun: California Art 1974-1981, The Geffen Contemporary at MOCA, Los Angeles, CA Do Not Remove, The Mayor Gallery, London Distant Star, Regen Projects, Los Angeles, CA I am a Clichй: Ecos da Estetica Punk, Centro Cultural Banco do Brasil, Rio de Janeiro, RJ Proof: The Rise of Printmaking in Southern California, Norton Simon Museum of Art, Pasadena, CA Blockbuster: Cinema for Exhibitions, MUAC, Mexica City 10 West Coast Artists, Vanderbilt University Fine Arts Gallery, Nashville, TN Venice in Venice, Nyehaus, New York City, NY Wishing and Praying, CRG Gallery, New York City, NY Compass, Martin-Gropius-Bau, Berlin Dance with Camera, SMoCA, Scottsdale, AZ Bella Pacifica: Bay Area Abstraction, 1946 to 1963, David Nolan Gallery, New York City, NY R for Replicant, CC Wattis Institute for Contemporary Arts, San Francisco, CA Sunless (Journeys in Alta California since 1933), Thomas Dane Gallery, London, UK Direct Art, Stiftung Ludwig Museum of Modern Art, Vienna, Austria Pictures in Motion, Museum Ludwig Koln, Koln, Germany AV Festival 10: Energy, Middlesbrough Institute of Modern Art, Middlersbrough, UK Abstract Resistance, Walker Art Center, Minneapolis, MN Telling Stories, Werkstatten und Kulturhaus, Vienna, Austria Collecting Biennials, Whitney Museum of American Art, New York, NY The Third Mind, Solomon R. Guggenheim Museum, New York, NY
14 Geary Street | San Francisco, CA 94108 | anglimgilbertgallery.com
Anglim Gilbert Gallery
2008 2007 2006 2005-2008 2005-2006 2005
Altered States: The Collection in Context, di Rosa Preserve, Napa, CA SPECTACULAR TIMES: The 60s, Moderna Museet Malmo, Malmo, Sweden Dark Americana, Baer Ridgway Exhibitions, San Francisco, CA MOCA's First Thirty Years, Museum of Contemporary Art, Los Angeles, CA Conner Lockhart Warhol: Screening Real, Kunsrhaus Graz, Graz, Austria Looking for Mushrooms, Museum Ludwig Kцln, Kцln, Germany ROCK MY RELIGION, Domus Artium 2002, Salamanca, Spain Traces du sacrй, Haus der Kunst, Mьnchen. Germany GSK Contemporary, Royal Academy of Arts, London, UK Gwangju Biennale 2008, Gwangju Biennale, Korea The Wizard of Oz, CCA Wattis, San Francisco, CA FORGOTTEN BAR PROJECT / JULY 2008 Galerie im Regierungsviertel, Berlin, Germany Traces du sacrй, Center Pompidou, Paris Carnegie International 2008, Carnegie Museum, Washington The Cinema Effect: Part I Dreams, Hirshorn Museum, Washington Paul McCarthy's Low Life Slow Life: Part 1, CCA Wattis, San Francisco, CA Apocalypse Now: The Theater of War, CCA Wattis, San Francisco, CA Best of KunstFilmBiennal, Apeejay Media Gallery, New Delhi, India Pioneers, CCA Wattis Institute for Contemporary Arts, San Francisco, CA SUMMER OF LOVE, Susan inglett Gallery, New York, NY Kunst und Film1: Touching Politics Kino Kunstmuseum, Bern, Switzerland Lights, Camera, Action: Artists Films for the Cinema Whitney Museum, New York, NY Semina Culture, Grey Art Gallery, New York, NY The Third Mind, Palais de Tokyo, Paris, France In the Poem About Love You Don't Write the Word Love, Artists Space, New York, NY Semina Culture, Berkeley Art Museum, Berkeley, CA Hцhepunkte der Kunst Film Biennale Kцln KW Berlin Germany DERECONSTRUCTION, Barbara Gladstone Gallery, New York, NY The Expanded Eye, Kunsthaus Zьrich, Switzerland Good Vibrations, Palazzo delle Papesse, Siena, Italy Semina Culture, Urlich Museum, Wichita, KS Tapestries from Magnolia Editions, Fresno Art Museum, Fresno, CA A Century of Collage, Elizabeth Leach Gallery, Portland, OR Semina Culture: Wallace Berman & His Circle, University of California, Berkeley Art Museum & Pacific film archive, Berkeley, CA 4. berlin biennale 2006 Berlin, Germany Beyond Real, San Francisco Museum of Modern Art, San Francisco, CA California Modern, Orange County Museum of art, Newport Beach, CA Skin is Language Whitney Museum, New York, NY Semina Culture, Nora Eccles Harrison Museum, Logan, Utah The Shape of Time, Walker Art Center, Minneapolis, MN Thank You for the Music, Sprьth Magers Galarie ­ Mьnchen, Kцln, Germany Cut, The Approach, London, England Lost but Found: Assemblage, Collage and Sculpture, 1920-2002, Norton Simon Museum, Pasadena, CA Tapestries from Magnolia Editions, Bedford Gallery, Walnut Creek, CA Assemblage and Collage in California in the 1960s, 871 Fine Arts, San Francisco, CA
14 Geary Street | San Francisco, CA 94108 | anglimgilbertgallery.com
Anglim Gilbert Gallery
2004-2005 2004 2003-2004
Collages, Pavel Zoubok Gallery, New York, NY KunstFilmBiennale Kцln 2005, Kunstfilmbiennale Kцln, Germany Semina Culture, Santa Monica Museum of Art, santa Monica, CA Drunk vs. Stoned 2, Gavin Brown, New York, NY The Last Picture Show: Artists Using Photography 1960-1982, Miami Art Central, Miami, FL The Last Picture Show, Fotomuseum Winterthur, Switzerland SITE Sante Fe Biennial 2004 SITE Santa Fe, Sante Fe, NM Magnolia Editions Tapestries, Jay Jay (Gallery), Sacramento, CA Big Deal 2004, Visual Aid's 11th Annual Art Sale and Fundraiser, SOMArts, San Francisco, CA American Pictures, Whitney Museum of American Art, New York, NY Featuring, Susan Inglett Gallery, New York, NY infinite possibilities: Serial imagery in 20th century drawings, Davis Museum and Cultural Center, Wellesley College, Wellesley, MA The True Artist is an Amazing Luminous Fountain: Selected Works from the Di Rosa Preserve: Art & Nature, di Rosa Preserve: Art & Nature, Napa, CA Travels to: The Kreeger Museum Washington, DC; Palm Springs Desert Museum, Palm Springs, CA; Santa Cruz Museum of Art and History, Santa Cruz, CA; Miami Beach, FL Disparities and Deformations, Our Grotesque Site, Santa Fe, NM, The Fifth International Biennial Exhibition Matisse and Beyond: The Painting and Sculpture Collection, San Francisco Museum of Modern Art, San Francisco, CA The Big Nothing, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA Southern Exposure Benefit Auction, San Francisco, CA The Lab's 8th Annual Sale & Live Auction, Benefit, San Francisco, CA The Seventies, BAM, Pacific Film Archive, Berkeley, CA Michael Kohn Gallery at the Armory Show, The International Fair of New Art, New York, NY Collage, Theatre Gallery, Berkeley Art Museum, Berkeley, CA (in conjunction with Loose Ends film series A Movie and Cosmic Ray (September 14, 2004); Valse Triste and Crossroads (September 28, 2004)) The Not So Still Life: A Century of California Painting and Sculpture, Pasadena Museum of California Art, Pasadena, CA The Disembodied Spirit, Kemper Museum of Contemporary Art, Kansas City, MO From Picasso to Thiebaud: Modern and Contemporary Art from the Collections of Stanford University Alumni and Friends, Stanford University Museum, Palo Alto, CA San Francisco International Art Exposition ­ Gallery Paule Anglim Premieres BC Tapestry: MARY ANOINTING JESUS WITH THE PRECIOUS OILS OF SPIKENARD, Fort Mason Center, San Francisco, CA Here, There, and Everywhere, Susan Inglett Gallery, New York, NY Curious Chrystal of Unusual Purity, P.S. 1 MoMA, Long Island, NY The Last Picture Show, MARCO Vigo, Spain The Big Nothing, ICA Philadelphia, PA The Last Picture Show, UCLA Hammer Museum, Los Angeles, CA The Last Picture Show: Photography, Walker Art Center, Minneapolis, MN
14 Geary Street | San Francisco, CA 94108 | anglimgilbertgallery.com
Anglim Gilbert Gallery
2003
Some Assembly Required, Polk Muesum of Art, Lakeland, FL
Some Assembly Required, MMoCA Madison, WI
Newer Genres: Twenty Years of the Rutgers Archive for Printmaking-Studios, Rutgers
University, New Brunswick, NJ
Site and Insight: An Assemblage of Artists,P.S.1. Contemporary Art Center ,
Long Island City, New York
Not Exactly Photographs, Fraenkel Gallery, San Francisco, CA
Cut, Copy, Paste: The Art of Contemporary Collage, de Saisset Museum, Santa
Clara, CA
2002-2003
Unknown Quantity, Fondation Cartier pour l'art contemporain, Paris
2002
No War, The Luggage Store, San Francisco
Ferus, Gagosian Gallery, New York
Sunday Afternoon, 303gallery, New York
A Silent Poetry, Timothy Taylor Gallery, London
2001
Obsessions, University Art Gallery, UCSD, San Diego
The Universe; Creation, Constellations and the Cosmos, Norton Simon Museum,
Pasadena, CA,
2000
Cross-Currents in Modern Art: A Tribute to Peter Selz, Achim Moeller Fine Art,
New York, NY
Tamarind: Forty Years, University of New Mexico Art Museum
2000
Celebrating Modern Art: Highlights of the Anderson Collection, San Francisco
Museum of Modern Art, San Francisco, CA
1999
The American Century, Art & Culture 1900-2000, Whitney Museum of American
Art, New York, NY
The Art of Collaborative Printmaking: Smith Andersen Editions, de Saisset
Museum, Santa Clara Museum, Santa Clara University, Santa Clara, CA
Alchemists of the Sixties, Rose Art Museum, Waltham, MA
Homage to the San Francisco Art Institute, Hackett Freedman Gallery, San Francisco, CA
Group Exhibition, Curt Marcus Gallery, New York, NY
Impressing the Body, University Gallery, University of Massachusetts, Amherst, MA
Meaning and Message: Contemporary Art from the Museum Collection, Oakland
Museum of California, Oakland, CA
Second Impressions, Meaning and Message in Contemporary Art, Oakland Museum
of California, Oakland, CA
The Great Drawing Show: 1550 to 1999, Kohn Turner Gallery, Los Angeles, CA
Pattern, James Graham & Sons, New York, NY
Drawn from Artists' Collections, The Drawing Center, New York, NY
Radical Past: Contemporary Art & Music in Pasadena, 1960 - 1974, Norton Simon Museum
of Art, Pasadena, CA
1998
3. Werkleitz Biennale 1998 werkleitz zentrum fьr medienkunst, Halle, Germany
Original Scale apexart, New York, NY
1997
Biennial 1997, Whitney Museum of American Art, New York
Scene of the Crime. Armand Hammer Museum, Los Angeles
Bruce Conner and Barbara Ess, Curt Marcus Gallery, New York
Media in Media, Soros Center for Contemporary Arts, Ljubjana, Slovenia
1996
Art and Film, Museum of Contemporary Art, Los Angeles (Travels)
Beat Culture and the New America: 1950-1965, San Francisco Museum of Modern
Art, San Francisco, CA
Bruce Conner and Dennis Hopper, Gallery Paule Anglim, San Francisco, CA
14 Geary Street | San Francisco, CA 94108 | anglimgilbertgallery.com
Anglim Gilbert Gallery
1995 1994 1993 1993 1991 1989-90 1986 1983 1982 1982 1978 1977 1975 1972 1967 1964 1963 1962 1961 1960 1958 1957
Beat Culture and the New America: 1950-1965, Whitney Museum of American Art, New York, NY The Rational World, Kohn Turner Gallery, Los Angeles, CA A Bay Area Connection: Works from the Anderson Collection, Triton Museum of Art, Santa Clara, CA 1968 SMS, I.C. Editions, Inc., New York Sight/Vision: The Urban Milieu, Gallery Paule Anglim, San Francisco, CA Drawn in the 70's, Brook Alexander Gallery, New York Zabriskie Gallery, New York Kohn Abrams Gallery, Los Angeles Nicole Klagsbrun Gallery, New York 40 Years of California Assemblage, Curated by Ann Ayres; Wight Art Gallery, Los Angeles; San Jose Museum of Art, San Jose, California Fresno Art Museum, Fresno, California; Joslyn Art Museum, Omaha, Nebraska Barbara Toll Fine Arts, New York, NY Sight Vision the Urban, Gallery Paule Anglim, San Francisco, CA Fraenkel Gallery, San Francisco, CA Smith-Andersen Gallery, Palo Alto, CA Fraenkel Gallery, San Francisco, CA 100 Years of California Sculpture, Oakland Museum, Oakland, California California Art of the 60's, deSaisset Museum, Santa Clara, California The Americans: The Collage, Contemporary Arts Museum, Houston, Texas Aspekte der 60er Jahre, Nationalgalerie, Berlin, West Germany Paris/New York, Musee National d'Art Moderne, Centre Pompidou, Paris Perceptions of the Spirit, Indianapolis Museum of Art; University Art Museum, Berkeley, California Improbable Furniture, Institute of Contemporary Art, La Jolla, CA Drawing Show, Newport Harbor Museum of Art, Newport Beach, CA Poets of the Cities, Dallas Museum of Art, Dallas; San Francisco Museum of Art, San Francisco; Wadsworth Atheneum, Hartford, Connecticut Family Show, Quay Gallery, San Francisco, CA; Jaqueline Anhalt Gallery, Los Angeles, CA San Francisco Art Institute, San Francisco, CA Funk Art, University Art Museum, Berkeley, CA Sculpture of the 60's, Los Angeles County Museum of Art, Los Angeles, CA Nieuwe Realisten, The Hague, The Netherlands 66th Annual of American Painting, Chicago Art Institute, Chicago, IL 50 California Artists, Whitney Museum of American Art, New York, NY Illinois Biennial Gang Bang, Batman Gallery, San Francisco, CA San Francisco Art Association Annual Six Gallery, San Francisco, CA
BIBLIOGRAPHY ­ SELECTED:
CATALOGS (SOLO):
After Bruce Conner: Anonymous, Anonymouse, and Emily Feather, American University Museum, Katzen Arts Center, Washington, D.C. Bruce Conner: Mabuhay Gardens 1978, NRW Forum Kultur and Wirtschaft, Dьsseldorf, Germany, 2006
14 Geary Street | San Francisco, CA 94108 | anglimgilbertgallery.com
Anglim Gilbert Gallery Bruce Conner: Twenty Two Inkblot Drawings, 1991-1999, Introduction by Michael Kohn, Los Angeles, CA: Kohn Turner Gallery, 2000 Celebrating Modern Art: Highlights of the Anderson Collection, San Francisco, CA: SFMOMA, 2000 2000 B.C.: The Bruce Conner Story Part II, Minneapolis, MN: Walker Art Center, 2000 Schwabsky, Barry, Bruce Conner Drawings, Vol. I, 1960-1968, LA, CA: Kohn Turner Gallery, 1999 Dean, Robert and Dennis Hopper. Bruce Conner: Assemblages, Paintings, Drawings, Engraving Collages, Los Angeles: Michael Kohn Gallery, 1990 Bruce Conner: Matrix/Berkeley 102, Berkeley: University Art Museum, 1987 Bruce Conner: Photograms, San Francisco: Art Museum Association of America, 1985 Bruce Conner Drawings 1955-1972, San Francisco: The Fine Arts Museums of San Francisco Bruce Conner Prints, Palo Alto, CA: Smith-Andersen Gallery, 1974 Bruce Conner: Sculpture/Assemblages/Collages/Drawings/Films, Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 1967 Bruce Conner, Waltham, MA: Poses Institute of Fine Arts, Brandeis University, 1965 Bruce Conner, London: Robert Fraser Gallery, 1964 Bruce Conner: San Francisco Art Institute Nealie Sullivan Award Exhibition, San Francisco: SFAI, 1963 CATALOGS (GROUP): Ayres, Anne. Forty Years of California Assemblage, Los Angeles, CA: Wight Art Gallery, University of California, Los Angeles, 1989 The "Junk" Aesthetic: Assemblage of the 1950s and Early 1960s, New York: Whitney Museum of American Art, 1989 Armstrong, Elizabeth, and Sheila McGuire. First Impressions: Early Prints by Forty-Six contemporary artists, Minneapolis: Walker Art Center; New York: Hudson Hills Press, 1989 Starr, Sandra Leonard. Lost and Found in California: Four Decades of Assemblage Art, Santa Monica, CA: James Corcoran Gallery, 1988 Selections from the Permanent Collection, La Jolla, CA: La Jolla Museum of Contemporary Art, 1988 Gettings, Frank. Different Drummers, Washington, D.C.: Hirshhorn Museum and Sculpture Garden, 1988 Stich, Sidra. Made in U.S.A., Berkeley: University of California Press, 1987 Europa/America: die Geschichte einer kunstlerischen Faszination seit 1940, Cologne: Museum Ludwig,1986 Extending the Perimeters of Twentieth-Century Photography, San Francisco: San Francisco Museum of Modern Art, 1985 Komanecky, Michael, and Virginia Fabbri Butera. The Folding Image: Screens by Artists of Nineteenth and Twentieth Century, New Haven: Yale University Art Gallery, 1984 1983 Biennial Exhibition, New York: Whitney Museum of American Art, 1983 Hills, Patricia, and Roberta K. Tarbell. The Figurative Tradition and the Whitney Museum of American Art: Paintings and Sculpture from the Permanent Collection, New York: Whitney Museum of American Art, 1980 1979 Biennial Exhibition, New York: Whitney Museum of American Art, 1979 Aspekte der 60er Jahre: aus der Sammlung Reinhard Onnasch, Berlin: Nationalgalerie, 1978 Paris-New York, Paris: Centre Georges Pompidou, 1977 Improbable Furniture, Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 1977 Dillenberger, Jane, and John Dillenberger. Perceptions of the Spirit in Twentieth-Century American Art, Indianapolis: Indianapolis Museum of Art, 1977 14 Geary Street | San Francisco, CA 94108 | anglimgilbertgallery.com
Anglim Gilbert Gallery The Last Time I Saw Ferus, Newport Beach, CA: Newport Harbor Art Museum, 1976 Sculpture: American Directions, 1945-1975, Washington, D.C.: National Collection of Fine Arts, Smithsonian Institution, 1975 Menace, Chicago: Museum of Contemporary Art, 1975 Art as a Muscular Principle, South Hadley, MA: Mount Holyoke College, 1975 Poets of the Cities: New York and San Francisco, 1950-1965, New York: Dutton for the Dallas Museum of Fine Arts, 1974 The Artist as Adversary, New York: Museum of Modern Art, 1971 Crown Point Press, San Francisco: San Francisco Art Institute, 1972 Kompas 4/Westkust USA, Eindhoven: Stedelijk van Abbemuseum, 1969 Doty, Robert. Human Concern/Personal Torment, New York: Whitney Museum of American Art, 1969 Assemblage in California: Works from the Late 50's and Early 60's, Irvine: University of California,1968 Tuchman, Maurice. American Sculpture of the Sixties, Los Angeles: Los Angeles County Museum of Art, 1967 Selz, Peter. Funk, Berkeley: University of California Art Museum, 1967 Los Angeles Now, London: Robert Fraser Gallery,1966 Contemporary American Sculpture: Selection 1, New York: Whitney Museum of American Art, 1966 Selection 1964, Boston: Institute of Contemporary Art, 1964 Pop, etc. etc. etc. etc. etc. etc. etc. etc., Vienna: Museum des 20. Jahrhunderts, 1964 Annual Exhibition 1964: Contemporary American Sculpture, New York: Whitney Museum of American Art, 1964 Fifty California Artists, New York: Whitney Museum of American Art, 1962 Seitz, William C. The Art of Assemblage, New York: The Museum of Modern Art, 1961 Contemporary American Painting and Sculpture, Urbana: Krannert Art Museum, University of Illinois, 1961 Seventy-Eighth Annual Painting and Sculpture Exhibition of the San Francisco Art Association, San Francisco: San Francisco Museum of Art, 1959 BOOKS: Yeo, Rob, "Cutting Through History: Found Footage in Avant-Garde Filmmaking," CUT: FILM AS FOUND OBJECT IN CONTEMPORARY VIDEO, copyright 2005 Milwaukee Art Museum, pp. 16-18, Museum of Contemporary Art, North Miami, June 25 ­ September 25, 2005 Joan Rothfuss and Elizabeth Carpenter, BITS AND PIECES PUT TOGETHER TO PRESENT A SEMBLANCE OF A WHOLE: WALKER ART CENTER COLLECTIONS, Walker Art Center, Minneapolis, 2005, pp. 9, 41, 45, 79, 166-169, 171, 265, 334, 527. Illustration: p. 45 Bruce Conner, Visiting Filmmakers Series, 1978 (Photo of artist); p. 166, THE BRIDE (sculpture); p. 167, Bruce Conner, UNTITLED 1954 ­ 1961 (collage); p. 168 ANGEL (photogram); p. 169 BREAKAWAY (film), 1966 Local Color: The diRosa Collection of Contemporary California Art, Chronicle Books, 1999 The American Art Book, Phaidon Press, 1999 Albright, Thomas. Art in the San Francisco Bay Area, 1945-1980: An Illustrated History, Berkeley: University of California Press, 1985 Andersen, Wayne. American Sculpture in Process: 1930/1970, Boston: New York Graphic Society, 1975 Ashton, Dore. American Art Since 1945, New York: Oxford University Press, 1982 Ashton, Dore. Modern American Sculpture, New York: Abrams, 1968 Barr, Alfred H., Jr. Painting and Sculpture in the Museum of Modern Art, 1929-1967, New York: The Museum of Modern Art, 1977 14 Geary Street | San Francisco, CA 94108 | anglimgilbertgallery.com
Anglim Gilbert Gallery
Becker, Jurgen, and Wolf Vostell. Happenings: Fluxus, Pop Art, Nouveau Realisme, Reinbek bei Hamburg: Rowohlt, 1965 Celant, Germano. Precronistoria 1966-69, Florence: Centro Di, 1976 Contemporary Artists, New York: St. Martin's Press, 1983 Domergue, Denise. Artists Design Furniture, New York: Harry N. Abrams, 1988 Hunter, Sam and John Jacobus. American Art of the 20th Century, New York: Harry N. Abrams, 1973 Janis, Harriet, and Rudi Blesh. Collage: Personalities, Concepts, Techniques, Philadelphia: Chilton, 1967 Jencks, Charles and Nathan Silver. Adhocism: The Case for Improvisation, Garden City, NY: Doubleday, 1972 Kultermann, Udo. The New Sculpture: Environments and Assemblages, New York: Praeger, 1968 Kultermann, Udo. The New Painting, New York: Praeger, 1969 Lippard, Lucy R. Pop Art, New York: Praeger, 1966 Lucie-Smith, Edward. Late Modern: The Visual Arts Since 1945, New York: Praeger, 1969 Lucie-Smith, Edward. Movements in Modern Art Since 1945, New York: Thames and Hudson, 1984 Mendelowitz, Daniel M. A History of American Art, New York: Holt, Rinehart and Winston, 1970 Orr-Cahall, Christina, ed. The Art of California: Selected Works from the Collection of the Oakland Museum, Oakland, CA: Oakland Museum, 1984 Osborne, Harold. Abstraction and Artifice in Twentieth-Century Art, Oxford: Clarendon Press, 1979 Osborne, Harold, ed. The Oxford Companion to Twentieth-Century Art, Oxford: Oxford University Press, 1981 Plagens, Peter. Sunshine Muse: Contemporary Art on the West Coast, New York: Praeger, 1974 Restany, Pierre. Le Nouveau Realisme, Paris: Union Generale d'Editions, 1978 Rose, Barbara. American Art since 1900: A Critical History, New York: Praeger, 1967 Rubin, William, ed. "Primitivism" in 20th Century Art, New York: Museum of Modern Art, 1984 Sammlung Hahn, Vienna: Museum Moderner Kunst, 1979 San Francisco Museum of Modern Art: The Painting and Sculpture Collection, New York: Hudson Hills Press, 1985 Sandback, Amy Baker, ed. Looking Critically: 21 Years of Artforum Magazine, Ann Arbor: UMI Research Press, 1984 Schiff, Gert. Images of Horror and Fantasy, New York: Abrams, 1978 Selz, Peter. Art in our Times: A Pictorial History 1890-1980, New York: Abrams, 1981 Wallis, Brian, ed. Art after Modernism: Rethinking Representation, New York: New Museum of Contemporary Art, 1984 Wilmerding, John. American Art, Harmondsworth: Penguin Books, 1976 Who Was Who in America, Chicago: Marquis Who's Who, vol. 5, 1973 Who Was Who in American History--Arts and Letters, Chicago: Marquis Who's Who, 1975
PERIODICALS:
2012 2005
Marks, Ben, "George Herms and Bruce Conner at Gallery Paule Anglim," KQED Arts, 6 March, 2012. Cotter, Holland, "Probing Fringes, Finding Stars," The New York Times, Friday, April 15, 2005, p. B29 ­ B31 (review of opening exhibitions at New Walker Art Center Museum) Schwendener, Martha, "Bruce Conner: Gladstone Gallery, New York," Artforum Magazine, April 2005, p. 181.
14 Geary Street | San Francisco, CA 94108 | anglimgilbertgallery.com
Anglim Gilbert Gallery
2004 1995 1994 1993 1992 1991
Stone, Katie, "Bruce Conner: Gladstone Gallery, New York, NY," Frieze Magazine, April 2005, pg. 113-114. Ollman, Leah, "Think of It As Another Form of Reincarnation: Reuse Is Now A Key Creative Technique. `Lost but Found' Uses Norton Simon Holdings To Show Holdings To Show How It Came To Life," Los Angeles Times, CalendarLive.com, January 18, 2005. Chasin, Noah, "Bruce Conner: Gladstone Gallery, New York," Time Out New York, January 27 ­ February 2, 2005, pp. 58. Illustration: ROZ: NEGATIVE TREND, January 3, 1978, printed 2004 Yau, John, "Poetry In Motion," The American poetry Review, January/February 2005, Vol 34. No. 1, p. 35 (Offset lithographs), Illustration: p. 35 BOOK ONE, #2; BOOK ONE, #5; p. 36 CARDS, #1 (front); p. 37 CARDS, #1 (back) Schwendener, Martha, ARTFORUM, Critic's Pick, "Bruce Conner," Gladstone Gallery, December 16, 2004 ­ January 29, 2005, website: www.artforum.com/picks/ Green, David A., "Edgy Sketch: Bruce Conner's Beautiful Mysteries," Los Angeles Reader, July 21, 1 995, p. 14 Pagel, David, "ArtReviews," Los Angeles Times, June 29, 1995, p. F16 Cummings, Paul, "Interview: Burce Conner Talks with Paul Cummings," Drawing , September-October 1994, pp. 55-59. Baron, Todd, Review of Inkblot Drawings at Kohn Abrams, Artscene, January 1994, p. 12 Greene, David A. Review of Inkblot Drawings at Kohn Abrams, Art Issues, March 1994, P. 42 Marcus, Greil,"Die Gnostische Ader," Heaven Sent Magazine, June 1994, p. 44 Kandel, Susan, "Review," Los Angeles Times, Thursday, December 23, 1993, p. F11 Pagel, David, "Review, Hypnotic Power," Los Angeles Times, Saturday, December 18, 1993, p. F14. Baker, Kenneth, "Bruce Conner, Paule Anglim," review, ArtNews, December, 1993, p. 142. Schwabsky, Barry, "Documents for a Secret Tradition: Bruce Conner & His Inkblot Drawings," Print Collector's Newsletter, November-December, 1993, pp. 175-177. Baker, Kenneth, "Bruce Conner Drawings," San Francisco Chronicle, September 8, 1993 Marcus, Greil, "Bruce Conner to MTV," film notes by Greil Marcus, Telluride Film Festival Marcus, Greil, "Bruce Conner: The Gnostic Strain," Artforum, December 1992, pp. 75- 79. Morgan, Robert C., "After the Deluge, the Return of the Inner-Directed Artist," Arts, March 1992, pp. 49-55. Settele, Christoph, "Bruce Conner: Film Work," VIPER, Lucerne, 33 pages Baker, Kenneth, "Conners' Angels from Another Workd," San Francisco Chronicle, June 6, 1992, p. E1 Berkson, Bill, "Bruce Conner at SFMOMA," Art in America, p. 149 McDonald, Robert, "The Drawings of Bruce Conner," Visiond Magazine, Spring 1992, p. 40 Selwyn, Marc, Interview, Flash Art, January 1991, pg. 94-97 Kandel, Susan, "L.A. in Review," Arts, December, p. 89. Lufkin, Liz, "The Beat Artist Once Removed," San Francisco Chronicle, Friday, October 11, pp. E3, E4. Pagel, David, "Bruce Conner: The Artist AS Scavenger," Los Angeles Times, Thursday September 19, p. F4.
14 Geary Street | San Francisco, CA 94108 | anglimgilbertgallery.com
Anglim Gilbert Gallery
1990 1989 1988 1987 1986 1985 1984 1983 1981
Ollhman, Leah, "California Visions," Los Angeles Times, Tuesday April 2, pp. F1, F4. The New Yorker, Monday April 1. McKenna, Kristine, "Out of the Shadows," Los Angeles Times, Tuesday, June 26, 1990, p.F-8, ill. Frank, Peter, "Pick of the Week," L.A. Weekly, July 6-12 1990, p. 124, ill. Martin, Victoria, "Slicing Up Complacency," Artweek, August 16, 1990, p.14, ill. Appleton, Steven, "Bruce Conner," New Art Examiner, October 1990, p.40, ill. Pagel, David, "Bruce Conner," Artscribe, November-December 1990, p.90-91, ill. Baron, Todd, "Bruce Conner," Art Issues, November 1990, p.33, ill. Weissman, Benjamin, "Bruce Conner," Artforum, November 1990, p.175. Marks, Ben, "The Poetics of Assemblage," Artweek, May 6, 1989, p. 1, ill. Baker, Kenneth, "Fragments of Modern Experience," San Francisco Chronicle, August 6, 1989, p. 10. Solnit, Rebecca, "Orders and Question,"Artweek, August 20, 1988, p. 1. Reveaux, Tony, "Works by Bruce Conner," University Art Museum (Calender), January 1987, p.3, ill. Pincus, Robert L., "Artist's Style is Slash, Burn," San Diego Union, March 12, 1987, p. D-8, ill. Lufkin, Liz, "Shows we've Seen," Popular Photography, January 1987, p. 26, 28, ill. Solnit, Rebecca, "Intrepid Chameleon,"Artweek, March 15, 1986, p. 11, ill. Shere, Charles, "Old Masters of Beat Span Generations," Oakland Tribune, August 19, 1986, p.C1, C3. Roder, Sylvie, "Funk Artist turns Punk Photographer," Palo Alto Weekly, February 26, 1986, pp.37-38, ill. Lewallen, Connie, "Photograms and Drawings by Bruce Conner," University Art Museum (Calender), November - December 1986, p. 3, ill. Jordan, Jim, "Souvenirs for the Future," Artweek, October 11, 1986, p. 12, ill. Baker, Kenneth, "Uncompromising Beat Era Artists Still Going Strong," San Francisco Chronicle, August 29, 1986, p. 67. Baker, Kenneth, "Seven for a Swan Song," Review, San Francisco Chronicle, August 17, 1986, pp. 12-13 Palmer, Rebecca, "A Range of Experimentation," Artweek, September 7, 1985, p. 13, ill. Geldzahler, Henry, "Art: Added Dimensions," Architectural Digest, May 1985, pp. 244-245, ill. Lewis, Jo Ann, "Unfolding Images," Washington Post, March 4, 1984, p. F4. Winter, David, "Magic and Mystery in an Unusual Show by Bruce Conner," Peninsula Times Tribune, September 27, 1983, p. 4. Van Proyen, Mark, "Sight/Vision: The Inward Gaze," Artweek, October 29, 1983, p. 1 & 16. Van Proyen, Mark, "Captured Ceremonies," Artweek, April 2, 1983, p. 4, ill. Burkhardt, Dorothy, "Black Magic on Paper," San Jose Mercury News, September 25, 1983, p. 3. Albright Thomas, "The Beat Artists Revisited," Review, San Francisco Sunday Examiner and Chronicle, October 23, 1983, pp. 12-13. Albright, Thomas, "Eerie Intimate Self-Portraits," San Francisco Chronicle, March 19, 1983, p.36, ill. Marechal-Workman, Andree, "Mysticism Continued: Bruce Conner," Artweek, August 15, 1981, p. 6, ill. Levy, Mark, "Bruce Conner at North Point Gallery," Images and Issues, Winter 1981- 1982, p. 90-91, ill.
14 Geary Street | San Francisco, CA 94108 | anglimgilbertgallery.com
Anglim Gilbert Gallery
1980 1980 1979 1977 1976 1975 1974 1972
Albright, Thomas, "The Magical World of Bruce Conner," San Francisco Chronicle, July 23, 1981, p. 46, ill. Culpa, Mia, "Bruce Conner: Part Two," Damage, January 1980, pp. 6-8, ill. "Bruce Conner," UP (Tokyo), Spring 1980, pp. 8-9, ill. Albright, Thomas, "Conner's 19th-Century Side," San Francisco Chronicle, June 11, 1980, p. 61, ill. "Bruce Conner," Damage, August-September 1979, p. 8-11, ill. Albright, Thomas, "Reestablishing Contact with the 'Beat' Esthetic," This World, San FranciscoSunday Examiner and Chronicle, September 30, 1979, p. 41, 43. Tarshis, Jerome, "Bruce Conner is not Bruce Conner',"Art News, January 1977, pp. 80- 82, 86-87, ill. Albright, Thomas, "Slouching Mortality and Inky Galaxies," Art News, January 1977, p. 90. Wilson, William, "A Ferus Wheel of Fortune," Los Angeles Times, section IV, p. 1, 4. Ratcliff, Carter, "New York Letter," Art International, Summer 1976, pp. 29-30. Fuller, Mary, "You're Looking for Bruce Conner, the Artist, or What is this Crap You're Trying to Put Over Here?" Currant, May-July 1976, pp. 8-12, 58-59, ill. Askey, Ruth, "The Ferus Gallery Remembered," Artweek, April 3, 1976, p. 5. Albright, Thomas, "The Cream of the Shows," San Francisco Chronicle, November 11, 1976, p. 50. Albright, Thomas, "At the Galleries," San Francisco Chronicle, September 11, 1976, p. 35. Wilson, William, "Romantic Rage Seeks Wisdom," Los Angeles Times, July 25, 1975, Section IV, p. 8. Wilson, William, "Double-Edged Message in 'A Drawing Show'," Los Angeles Times, February 16, 1975, section IV, p. 62. Stiles, Kristine, "Bringing Back the Beat Generation," Daily Californian, February 7, 1975, pp. 13-14, ill. Kent, Tom, "Bruce Conner Photograms," Artweek, October 25, 1975, p. 3 ill. Butterfield, Jan, "San Francisco," Art Gallery Magazine, March 1975, pp. 17, 58-59, ill. "An Artist Who Gets Into His Work," San Francisco Chronicle, October 16, 1975, p. 50, ill. Albright, Thomas, "The Beats - More Than Nostalgia," San Francisco Chronicle, February 1, 1975, p. 31, ill. Selz, Peter, "The Artist as Dactylographer," Art in America, July-August 1974, pp. 98-99, ill. Haacke, Lorraine, "Conner at DMFA," Dallas Times Herald, December 1, 1974, p. F-3. Frankenstein, Alfred, "A Lively Artistic Obituary," San Francisco Chronicle, February 28, 1974, p. 40. Frankenstein, Alfred, "The Fingerprints of Artist Bruce Conner," This World, San Francisco Sunday Examiner and Chronicle, August 4, 1974, p. 31, ill. Flanagan, Ann, "Bruce Conner's Cinematic Drawings," Artweek, November 9, 1974, p. 1, 16, ill. Butterfield, Jan, "It ain't dead, New Yorkers just mugged it," Pacific Sun, March 21-27, 1974, p. 21, ill. Bloomfield, Arthur, "A Micro-minded artist," San Francisco Examiner, October 16, 1974, p. 43, ill. Albright, Thomas, "Mushrooming Visions from Artist Bruce Conner," San Francisco Chronicle, October 15, 1974, p. 40. Frankenstein, Alfred, "A Conner Family Show," San Francisco Chronicle, January 7, 1972, p. 44.
14 Geary Street | San Francisco, CA 94108 | anglimgilbertgallery.com
Anglim Gilbert Gallery
1971 1970 1968 1967 1966 1965 1964 1963
Bloomfield, Arthur, "The Family that Makes Art Together," San Francisco Examiner, January 16, 1972, p. 29, ill. Anderson, Laurie, "Bruce Conner," Art News, November 1972, p. 89. Frankenstein, Alfred, "Etchings Based on Fantastic Collages," San Francisco Chronicle, August 12, 1971, p. 31. Albright, Thomas, "Light and Conner: An Outstanding Exhibition," San Francisco Chronicle, May 4, 1971, p. 38. Doty, Robert, "Grotesque in American Art," Art and Artists, April 1970, p. 13-14, ill. "Savanarola in Nylon Skeins," Time, January 5, 1968, p. 50, ill. Wilson, William, "Elepaintism - Mammoth Brush with Psychedelic Colors," Los Angeles Times, May 17, 1967, Part IV, p. 1, 7, ill. "San Francisco Vote Tally," San Francisco Chronicle, November 8, 1967, p. 1A. Monte, James, "'Making it' with Funk," Artforum, Summer, 1967, p. 56. Giuliano, Charles, "Bruce Conner," Artist's Proof, 7, 1967, p. 56-57, ill. Frankenstein, Alfred, "A Confrontation with 'Funk'." This World, San Francisco Sunday Examiner and Chronicle, April 23, 1967, p. 27. "Food Sculpture Exhibition Proves Delight to Audiences," Wichita Beacon, September 21, 1967, p. 11A. Albright, Thomas, "A Look at Two Good Art Shows," San Francisco Chronicle, April 27, 1967, p. 43. Hopper, Dennis, "West Coast: The Scene," Art and Artists, May 1966, p. 68, ill. Valpy, Michael, "U.S. Exhibitor to Give Eating Display," Vancouver Times, February 1, 1965, p. 1. Rykwert, J., "Mostra a Londra," Domus, February 1965, p. 46. Driscoll, Edgar J., "Two Assemblage Exhibits of Contrast," Boston Globe, September 26, 1965, p. H-29. Belz, Carl, "Pop Art, New Humanism and Death," Kulchur, Spring 1965, pp. 25, 29-30, ill. p. 33. Willard, Charlotte, "Drawing Today," Art in America, October 1964, p. 60, ill. Ventura, Anita, "The Bay Climate," Arts, December 1963, p. 30, ill. Monte, James, "Sculpture Steals the Show in the Eighty-Third Annual," Artforum, May 1964, p. 23-24, ill. Frankenstein, Alfred, "A Break with Art Tradition," This World, San Francisco Sunday Chronicle, April 26, 1964, p. 22-23. Burr, James, "London Galleries," Apollo, December 1964, p. 520. "Art of Bits and Pieces," The Times (London), December 16, 1964, p. 7. Valenzuela, Elvira, "Wichitan's Work stirs Controversy," Wichita Eagle and Beacon Magazine, February 1963, cover, p. 2, 21, ill. Stiles, Knute, "Bruce Conner, San Francisco Art Institute," Artforum, December 1963, p. 46, ill. p. 47. "IV Biennale Internationale d'Arte (San Marino)," Art International, June 1963, p. 51, 60, ill. Lindgren, Lawrence, "This year's FOTA breaks with tradition," Chicago Maroon, (University of Chicago), April 26, 1963, ill. Leider, Philip, "California After the Figure," Art in America, October 1963, p. 76-77, ill. p. 80. Frankenstein, Alfred, "Music and Art," This World, San Francisco Sunday Chronicle, November 17, 1963, p. 24-25. Coplans, John, "Sculpture in California," Artforum, August 1963, p. 4, ill. p. 5.
14 Geary Street | San Francisco, CA 94108 | anglimgilbertgallery.com
Anglim Gilbert Gallery
1962 1961 1960 1959 1958
"Bruce Conner Receives 1963 Nealie Sullivan Award of $1000," San Francisco Art Institute News, September 1, 1963, p. 1, 2. Bogat, Regina, "Fifty California Artists," Artforum, 1:7, 1963, p. 25, ill. p. 26. Perkins, Constance, "Bruce Conner,"Artforum, August 1962, p. 6, 9, ill. Nelken, Margarita, "La de Bruce Conner," Ezcelsior (Mexico City), February 25, 1962, p. 21-C. Leider, Philip, "The Construction as an Object of Illusion," Artforum, 1:5, 1962, p. 40. Leider, Philip, "Bruce Conner: A New Sensibility," Artforum, November1962, p. 30, 31, ill. Langsner, Jules, "Art News from Los Angeles," Art News, October 1962, p. 50. Coplans, John, "The New Painting of Common Objects," Artforum, November 1962, p. 29. Ashton, Dore, "Art," Arts and Architecture, January 1962, p. 33. Restany, Pierre, "Die Beseelung des Objektes," Das Kunstwerk, July-August 1961, p. 38, ill. p. 55. Picard, Lil, "New Yorker Kunstbrief," Das Kunstwerk, November 1961, p. 56, ill. p. 62. Chipp, Herschel, "Art News from San Francisco," Art News, February 1961, p. 54. Waite, Elmont, "That's not Murder-That's Art." San Francisco Chronicle, November 13, 1960, p. 3. Rexroth, Kenneth, "Shockers by a Midwest Artist...," Highlight, San Francisco Examiner, November 13, 1960, p. 14. Murphy, George, "Nylons and Box - What is It?" San Francisco Examiner, December 6, 1960, p. 1, 21; IV, 10, ill. Fried, Alexander, "Artist Defines 'Child' Meaning," San Francisco Examiner, January 15, 1960, section 1, p. 19. Frankenstein, Alfred, "The Batman Makes its Bow with Modern 'Junk'," This World, San Francisc Sunday Chronicle, November 13, 1960, p. 27, ill. Curtin, Andrew, "The Unliked 'Child'," San Francisco News-Call Bulletin, January 14, 1960, p. 21, ill. Coates, Robert M., "The Art Galleries," The New Yorker, January 30, 1960, p. 87. Canaday, John, "Art: A Wild, but Curious, End-of-Season Treat," New York Times, June 7, 1960, p. 32. Ashton, Dore, "Art," New York Times, January 22, 1960, p. 19. Wallace, Dean, "Local Artists are Toying with Something akin to Dada," This World, San Francisc Sunday Chronicle, January 18, 1959, p. 22. Frankenstein, Alfred, "Bruce Conner Exhibit - Magic in Disorder," San Francisco Chronicle, September 30, 1959, p. 41. Cross, Miriam Dungan, "Shocking 'Beat' Art Displayed," Oakland Tribune, November 29, 1959, p. 4-C. Frankenstein, Alfred, "Music and Art," This World, San Francisco Chronicle, June 15, 1958, p. 31.
PUBLIC COLLECTIONS:
Museum of Modern Art, New York Whitney Museum of American Art, New York National Gallery of Art, Washington D.C. Rose Art Museum, Brandeis University, Waltham, Massachusetts San Francisco Museum of Modern Art Los Angeles County Museum of Art
14 Geary Street | San Francisco, CA 94108 | anglimgilbertgallery.com
Anglim Gilbert Gallery University Art Museum, Berkeley Rockhill Nelson Gallery, Kansas City, Missouri Addison Gallery, Andover, Massachusetts Worchester Art Museum, Worchester, Massachusetts Sheldon Memorial Art Gallery, University of Nebraska St. Louis Art Museum Norton Simon Museum, Pasadena, California Netherlands Film Museum, Amsterdam Musee National d'Art Moderne, Centre Pompidou, Paris Oakland Museum, Oakland, California Wichita Art Museum, Kansas Achenbach Foundation, San Francisco Guggenheim Museum, New York Indiana University Art Museum, Bloomington University of Arizona Museum of Art, Tucson. Yale University, New Haven, Connecticut Art Institute of Chicago, Chicago, Illinois University of New Mexico Art Museum, Albuquerque Joslyn Art Museum, Omaha, Nebraska Hirschhorn Museum and Sculpture Garden,Washington D.C. Steinberg Gallery, Washington University, St. Louis, Missouri Elder Art Gallery, Nebraska Wesleyan University, Lincoln, Nebraska Richard Nelson Gallery, University of California, Davis Museum of Art and Architecture, University of Missouri, Columbia Missouri Princeton University Art Museum, Princeton, New Jersey National Museum of American Art, Washington D.C. Museum Moderner Kunst, Vienna, Austria Newport Harbor Art Museum, Newport Beach, California Museum of Contemporary Art, Los Angeles Walker Art Center, Minneapolis, Minnesota La Jolla Museum of Contemporary Art, La Jolla, California de Saisset Museum, University of Santa Clara, Santa Clara, California Musee Moderna, Stockholm, Sweden Museum of Contemporary Art, Chicago, Illinois Laguna Art Museum, Laguna Beach, California Denver Art Museum, Denver, CO 14 Geary Street | San Francisco, CA 94108 | anglimgilbertgallery.com

B Conner

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