CHARLOTTE JACKSON FINE ART, INC, J BEECH

Tags: John Beech, New York, Galerie Gis�e Linder, Charlotte Jackson Fine Art, Basel, Switzerland, San Francisco, California, New York, New York, Edward Albee, San Jose, California, San Francisco Chronicle, Art in America, Peter Blum, San Francisco Museum of Modern Art, Paris, France, Albright-Knox Art Gallery, Santa Fe, New Mexico, Konkrete Kunst, San Francisco, CCNOA Brussels, Smith Andersen Editions, Brussels, Belgium, San Francisco Examiner, Peter Blum Soho, Catalogue essay, New York Arts Magazine, Oakland, California, California, San Jose Museum of Art, The Buffalo News, Permanent Collection Contemporary Art, Peter Blum Edition, Courtenay Smith, Socrates Sculpture Park, Stark Gallery, Los Angeles, California, Santa Clara University, Seattle, Washington Bank of America, Los Angeles, California, Buffalo News Gusto, Kenneth, New Europe, Brooklyn Rail, Arts Magazine, California Gallery Paule Anglim, Gallery Paule Anglim, Buffalo, New York, Galerie Lelong, Peter Blum Chelsea, Buffalo, New York Der Zweite Blick, Petra Bungert, Santa Clara, California
Content: CHARLOTTE JACKSON FINE ART, INC. JOHN BEECH 1964 Winchester, England Education: 1986 B.A., University of California, Berkeley, California Solo Exhibitions: 2016 Object in Place, Galerie Les Filles Du Calvaire, Paris, France John Beech: New Work, Galerie Gisиle Linder, Basel, Switzerland 2015 Frieze New York, Peter Blum, New York 2014 Galerie M&R Fricke, Berlin, Germany viewpoint, Haus Der Kunst St.Josef, Solothurn, Switzerland John Beech: Small Wall Objects, Concept Space, Shibukawa, Gunma, Japan 2012 Time Expanded, Charlotte Jackson Fine Art, Santa Fe, New Mexico The Space Surrounding, Peter Blum Soho, New York, New York Likelihood / Unlikelihood, Galerie Les Filles Du Calvaire, Paris, France 2011 85-87 FBG. St. Martin (with Galerie Les Filles Du Calvaire), Paris, France Door to the Window, Haus Der Kunst, Solothurn, Switzerland John Beech, A Selection of Recent Work, Elizabeth Leach Gallery, Portland, Oregon John Beech, Portland Art Museum, (Curator: Bruce Guenther) Portland, Oregon The State of Things, Peter Blum Chelsea, New York, New York 2010 John Beech: Works for a Wall, Galerie Gisиle Linder, Basel, Switzerland 2009 Incidents: Drawings and Sculpture, Galeria La Caja Negra, Madrid John Beech & John Zurier, Gallery Paule Anglim, San Francisco, CAlifornia 2008 Obscure / Reveal, John Beech & Edward Albee, Peter Blum Soho, New York, New York Nohow, CCNOA, Brussels, Belgium 2007 That and This: New Work, Peter Blum Chelsea, New York, New York Galerie Gisиle Linder, Basel, Switzerland 2006 John Beech New Work, Gallery Paule Anglim, San Francisco, CAlifornia John Beech: Project Space, G Fine Art, Washington D.C. John Beech New Work: Sculpture and Drawings, Howard Yezerski Gallery, Boston, Massachusetts 2005 Recent Sculpture and Large Scale Drawings, Peter Blum, New York, New York New Sculpture made on Site and Drawings, Galerie M+R Fricke, Berlin, Germany 2004 John Beech Works 1989 ­ 2004, Stiftung fьr Konkrete Kunst, Reutlingen, Germany John Beech from the Collection, Albright-Knox Art Gallery, Buffalo, New York John Beech New Work, Charlotte Jackson Fine Art, Santa Fe, New Mexico John Beech ­ New Sculptures and Paintings (with John Meyer ­ Drawings), Galerie Gisиle Linder, Basel, Switzerland 2003 Peter Blum, New York, New York Archive Inc. Gallery, Toronto, Ontario, Canada Brooklyn Container, Brooklyn Central Public Library, New York (+ Collaborative Drawings 1998 ­2003 with Simon Lee and Christopher Lesnewski) 2002 Charlotte Jackson Fine Art, Santa Fe, New Mexico 2001 Rotating Paintings, Gallery Paule Anglim, San Francisco, California 2000 John Beech: New Work, Stark Gallery, New York , New York Alexander Nagel, Toronto, Ontario, Canada 554 South Guadalupe Santa Fe, New Mexico 87501 . 505-989-8688 . Fax: 505-989-9898 . www.charlottejackson.com
1999 1998 1997 1996 1995 1994 1993 1992 1991 1990 1989
Built on Site, TD156, San Francisco, California Petra Bungert Projects / CCNOA, Brussels, Belgium Gallery Paule Anglim, San Francisco, California The Locker Plant, The Chinati Foundation, Marfa, Texas Gallery Paule Anglim, San Francisco, California Smith Andersen Editions, Palo Alto, California Angles Gallery, Santa Monica, California Gallery Paule Anglim, San Francisco, California Miles Bellamy-113 Crosby Street, New York, New York Gallery Paule Anglim, San Francisco, California Sculpture Built On The Premises, Upaya Gallery, San Francisco, California Gallery Paule Anglim, San Francisco, California Gallery Paule Anglim, San Francisco, California Southern Exposure Gallery, San Francisco, California
Group Exhibitions: 2016 Brasserie, Haus der Kunst St. Josef, Solothurn, Switzerland Radical: Monochrome Paintings from the Goodman Duffy Collection, George Lawson Gallery, San Francisco, California Dumbball: David Ireland and his Circle, Anglim Gilbert Gallery, San Francisco, California 2015 Kabinettstьcke / Sammlung Gabriele Kuebler, Stiftung fьr Konkrete Kunst, Reutlingen, Germany Peter Blum Edition: Books and Prints, Peter Blum, New York, New York Retrospective Paule Anglim 1923- 2015, Gallery Paule Anglim, San Francisco, California Quand fondra la niege, oщ ira le blanc, (Curator: Bernard Marcelis), Galerie Les Filles du Calvaire, Paris, France Concrete Post 3, raum2810, Bonn, Germany Concrete Post 2, (Curator: David Thomas), PSSR Gallery, RMIT University, Melbourne,Victoria, Australia, 2014 Brasserie, Haus der Kunst St. Josef, Solothurn, Switzerland Gauguin to Warhol: 20th Century Icons from the Albright-Knox Art Gallery, San Diego Museum of Art, San Diego, California Hunting + Gathering: New Additions to the Museum Collection, New Mexico Museum of Art, Santa Fe, New Mexico Ellipse, (Curator: Erin Lawlor), A3 Municipal Gallery, Moscow, Russia 30 Jahre, Galerie Gisиle Linder, Basel, Switzerland Regular John, (Curator: Jim Lee) Junior Projects, New York, New York Traces, Peter Blum, New York, New York CCNOA 30/30 Image Archive Project: A Collective Collection, A/B/Contemporary, Zьrich, Switzerland 2013 Brasserie, Haus der Kunst St. Josef, Solothurn, Switzerland Histoires et Gйographies: Acquisitions rйcentes du Frac Bretagne, Frac Bretagne, Rennes, France Coluna 2, Vienne, France Unruly, Berkeley Art Museum, Berkeley, California Six Memos for the Next..., Magazin 4 Bregenzer Kunstverein, Bregenz, Austria 2012 CCNOA 30/30 Image Archive Project: A Collective Collection, 71BD Richard Lenoir, Paris Brasserie, Haus der Kunst St. Josef, Solothurn, Switzerland Hibernation, Oliver Sears Gallery, Dublin, Ireland
2011 2010 2009 2008
Art on Paper 2012, (Curator: Xandra Eden), Weatherspoon Art Museum, University of North Carolina, Greensboro, North Carolina Pink, Charlotte Jackson Fine Art, Santa Fe, New Mexico Virtual Insanity, Fiedler Taubert Contemporary, Berlin, Germany Drawing a Line in the Sand, Peter Blum, New York, New York Eretai (John Beech, Lael Marshall, David Rabinowitch, Michael Voss), Riverside Art Museum, Riverside, California Fifty Years of Bay Area Art: The SECA Awards, San Francisco Museum of Modern Art, San Francisco, California The Long Curve. 150 years of Visionary Collecting at the Albright-Knox Art Gallery, The Albright-Knox Art Gallery, Buffalo, New York Carte Blanche а Clare Kenny: Odds and Ends, Galerie Gisиle Linder, Basel, Switzerland Paper Variables, Dieu Donnй, New York, New York John Beech & Kathrin Kunz, Galerie Gisиle Linder, Basel, Switzerland Thirty Years of Collecting: A Recent Gift to the Museum, Scottsdale Museum of Contemporary Art, Scottsdale, Arizona Human Rites, (Curator Silvia Karman Cubпnб & Steve Holmes) The Bass Museum of Art, Miami Beach, Florida Living in Two Worlds, Charlotte Jackson Fine Art, Santa Fe, NM The Artist & The Photograph, (Curator: Clare Kenny), Ausstellungsraum Klingental, Basel, Switzerland Metropolis, Galerie M & R Fricke, Berlin, Germany Reflection, Peter Blum Soho, New York, New York My Eyes Keep Me in Trouble, (Organized by CCNOA, Brussels), La Station, Nice, France Quantos Queres, Marz-Galeria, Lisbon, Portugal Des Mondes Voisins, Galerie Gisиle Linder, Basel, Switzerland Common Ground: Color, Charlotte Jackson Fine Art, Santa Fe, New Mexico Glissements de Terrain, Galerie Les Filles du Calvaire, Paris 30 x 30 cm Project, Mcnay Art Museum, San Antonio, Texas Yellow, Galerie Gisиle Linder, Basel, Switzerland Projet 25 une exposition pour Gisиle, (Curator: Friederike Stangier), Galerie Gisиle Linder, Basel, Switzerland Art Unlimited 10, Art Basel 40, Basel, Switzerland PS 1999-2009, PS, Amsterdam, The Netherlands Prints, Galerie Gisиle Linder, Basel, Switzerland Miniaturization, Galerie Gisиle Linder, Basel, Switzerland Paper, Galerie Gisиle Linder, Basel, Switzerland Begin Again Right Back Here, (Curator: B.Wurtz), White Columns, New York, New York Summer 2008, Galerie Gisиle Linder, Basel, Switzerland Works on Paper: The Natalie and Irving Forman Collection, Albright-Knox Art Gallery, Buffalo, New York My Eyes Keep Me In Trouble, (Organized by CCNOA Brussels), Sydney College of the Arts Gallery (SCA), Sydney, Australia -traveled to: The Physics Room, Christchurch, New Zealand Howard Yezerski Gallery, Boston, Massachusetts + de rйalitй, Йcole Rйgionale des beaux-arts de Nantes, Nantes, France Annual Invitational Exhibition of Visual Art, The American Academy of Arts and Letters, New York, New York
2007 2006 2005
Ahnlichkeiten ­ Hommage е Fortuny, Stiftung fьr Konkrete Kunst, Reutlingen, Germany Rьckblick Review: 10 years Berlin, M & R Fricke, Berlin, Germany Summertime, Galerie Gisиle Linder, Basel, Switzerland Pas de Soucis..., (Curator: Petra Bungert, CCNOA Brussels), Non-Objectif Sud, Tulette, France Remix: Small Sculpture, (Curator: Claire Schneider), Albright-Knox Art Gallery, Buffalo, New York Der Zweite Blick, Stiftung fьr Konkrete Kunst, Reutlingen, Germany Pierogi Flatfiling, Artnews Projects, Berlin, Germany Off the Wall, Charlotte Jackson Fine Art, Santa Fe, New Mexico Remix: Robert Therrien, Albright-Knox Art Gallery, Buffalo, New York March Madness, Charlotte Jackson Fine Art, Santa Fe, New Mexico 4 from New York, (Organized by John Beech) Charlotte Jackson Fine Art, Santa Fe, New Mexico Dumpster, (video in collaboration with Einar Westerlund), Screen 1, CCNOA, Brussels, Belgium The Photograph as Canvas, (Organized by Stephen Maine) The Aldrich Contemporary Art Museum, Ridgefield, Connecticut My Eyes Keep Me in Trouble, (Organized byTilman) Nieuwe Vide, Haarlem, The Netherlands Additiv Parallel Synchron Werke der Sammlung, Stiftung fьr Konkrete Kunst, Reutlingen, Germany MinimalPop, Arti et Amicitiae, Amsterdam, Holland Weinachtsausstellung, Galerie Gisиle Linder, Basel, Switzerland Double Exposure, CCNOA, Brussels, Belgium (November upcoming) Bird Watching, Rotunda Gallery, Brooklyn, New York Two Step, (Organized by Petra Bungert) Hertfordshire University Galleries, Hatfield, England Sculptures, Peter Blum Chelsea, New York, New York Summertime, Galerie Gisиle Linder, Basel, Switzerland ststs : Rack 1 ­ 2006 Brussels, CCNOA, Brussels, Belgium Ordnung und Verfuhrung, (Curator: Dorothea Strauss), Haus Konstruktiv, Zurich, Switzerland Spring Fever, Charlotte Jackson Fine Art, Santa Fe, New Mexico Two Step, (Organized by CCNOA Brussels/ Petra Bungert) Kunstnernes Hus, Oslo, Norway Eccentric Abstraction, (John Beech, Senta Connert, Wolfgang Ploeger), Galerie M+R Fricke, Dusseldorf, Germany Minimalisms, Gallery W52, New York, New York Painted Objects, CCNOA, Brussels, Belgium Artists for Chinati, Phillips de Pury, New York, New York Spectrum, (Organized by Kate Shepherd), Galerie Lelong, New York, New York Painted Objects, (Organized by Petra Bungert / CCNOA Brussels, Belgium), PS, Amsterdam, The Netherlands I Remain the Same: Changed, (Curator: Nolan Simon), Center Gallery, College for Creative Studies, Detroit, Michigan Extreme Abstraction, (John Beech Small Objects, including sculpture selected from the permanent collection by John Beech), (Curators: Louis Grachos, Claire Schneider), Albright-Knox Art Gallery, Buffalo, New York The Natalie and Irving Forman Collection, Albright-Knox Art Gallery, Buffalo, New York
2004 2003 2002 2001 2000 1999
Beyond Monochrome, Charlotte Jackson Fine Art, Santa Fe, New Mexico MinimalPop, Les Filles du Calvaire, Paris, France and Brussels, Belgium Variations on Yellow, Charlotte Jackson Fine Art, Santa Fe, New Mexico Drawings, (John Beech, Christopher Lesnewski, Tilman), (Selected by John Beech), Smith Andersen Editions, Palo Alto, California Molti Multipli, CCNOA, Brussels, Belgium Von a bis 2: Editionen, Galerie Gisиle Linder, Basel, Switzerland 20 Years: Multiples, Galerie Gisиle Linder, Basel, Switzerland In Focus: Themes in Photography, Albright-Knox Art Gallery, Buffalo, New York John Beech / David Thomas, Foreign Affairs 3, Proximus, Bonn, Germany MinimalPop, Florence Lynch Gallery, New York, New York (Organized by CCNOA, Brussels, Belgium) Void, (Curator: David Gibson), Educational Alliance Gallery, New York, New York Large Format Works on Paper, Smith Andersen Editions, Palo Alto, California Multiples, Galerie Gisиle Linder, Basel, Switzerland Selections from the Natalie and Irving Forman Collection, Albright-Knox Art Gallery, Buffalo, New York 24, Eugene Binder, Marfa, Texas (Organized by John Beech, Eugene Binder) Modelle des Konkreten, (Curators: Manfred Wandel, Gabriele Kuebler), Stiftung fьr Konkrete Kunst, Reutlingen, Germany Small Colours, (Curator: Christoph Dahlhausen), Galerie Eva Mack, Stuttgart, Germany New Acquisitions, Albright-Knox Art Gallery, Buffalo, New York Real Red, Charlotte Jackson Fine Art, Santa Fe, New Mexico Las Vegas Collects, Goodman-Duffy Collection, Las Vegas Art Museum, Nevada Drawing Center 25th Anniversary Exhibition, New York, New York Five, Charlotte Jackson Fine Art, Santa Fe, New Mexico XXL1, University Art Museum, Berkeley, California In a Silent Way, (Curator: Marion Wild), Galerie Gisиle Linder, Basel, Switzerland `Two Step, Video / Sound CCNOA, Brussels, Belgium Benefit Exhibition, Momenta Art, Brooklyn, New York, New York Fifteen Years of Painting, Stark Gallery, New York, New York Surfaces & Support Systems, 123 Watts, New York, New York El Paisano Hotel, Rudolph Projects, Marfa, Texas Anymore, (Curator: David Borawski), Real Art Ways, Hartford, Connecticut Art Brussels, CCNOA, Brussels, Belgium From Idea to Matter. Nine Sculptors, (Curator: Edward Albee), Anderson Gallery, Virginia Commonwealth University, Richmond, Virginia Minimalism, Then and Now, University Art Museum, Berkeley, California Trajectories, (Curator: Marian Griffiths), Smack Mellon Studios, Brooklyn, New York The Art of Collaborative Printmaking: Smith Andersen Editions, Michael Martin Gallery, San Francisco, California -traveled to Flanders Graphics, Minneapolis, Minnesota -traveled to Haggerty Museum of Art, Marquette University, Milwaukee, Wisconsin Industry, (John Beech, John Monti, Richard Thatcher) Thatcher Projects, New York, New York From Rags To Riches, (Curator: Petra Bungert), Foundation de la Tapisserie des Arts, Tournai, Belgium Of Ten, Thatcher Projects, New York, New York Meaning and Message: Contemporary Art from the Museum Collection, The Oakland Museum of California, Oakland, California
Fetes de Saint Martin. Tourinnes-La-Grosse, (Curator: Javier Fernandez), near Brussels, Belgium. Into the 21st Century. Selections from the Permanent Collection, San Jose Museum of Art, San Jose, California John Beech & Christopher Lesnewski: Sculpture and Collaborative Drawings, (Curator: Marian Griffiths), The Sculpture Center, New York, New York Do Paintings Dream of Veronese Green? (Curator: Maia Damianovic), Elga Wimmer Gallery, New York, New York Horizontal Vertigo, Rudolph Poissant Gallery, Houston, Texas
1998 1997 1995 1996 1994 1993 1992
Material Issues: Recent Gifts from the Katherine and James Gentry Collection, San Jose Museum of Art, San Jose, California The Art of Collaborative Printmaking, Smith Andersen Editions, The Nevada Museum of Art, Reno, Nevada -traveled to de Saisset Museum, Santa Clara University, Santa Clara, California (1999) Permanent Collection Contemporary Art, San Francisco Museum of Modern Art, San Francisco, California (1998-1999) 9+1, Petra Bungert Projects, Brussels, Belgium All That is Solid, Socrates Sculpture Park, New York, New York Blunt Object, (Curator: Courtenay Smith), The Smart Museum of Art, Chicago, Illinois Seven Year Itch, Ambrosino Gallery, Miami, Florida Here & Now, (Curator: Marian Griffiths), The Sculpture Center, New York, New York Escape Velocity, Socrates Sculpture Park, New York, New York The Flat Files: Drawings from Pierogi 2000, Vasser College, Poughkeepsie, NY -traveled to Bard College, Rheinbeck, NY -traveled to Kunstlerhaus, Vienna, Austria Pierogi 2000: The Flat File Drawings, (Curator: Joe Amrhein), The Gasworks, London, -traveled to Cornerhouse, Manchester, England Benefit Exhibition, Momenta Art, Brooklyn, New York Aspects of Space, Trans Hudson Gallery, New York, New York John Beech & James Hyde, (Curators: Natalie and Irving Forman), Charlotte Jackson Fine Art, Santa Fe, New Mexico Painting outside Painting, The 44th Biennial Exhibition of Contemporary American Painting, Corcoran Gallery of Art, Washington, D.C. (Curator: Terrie Sultan) Gridluck, Marge Goldwater, Inc. New York, New York Into a New Museum, Part II, San Francisco Museum of Modern Art, San Francisco, California Plastic, (Curator: Nancy Doll), Bernard Toale Gallery, Boston, Massachusetts 20th Anniversary Exhibition, Southern Exposure Gallery, San Francisco, California Traction, (John Beech, Paul Dickerson, Richard Nonas), (Curators: Alison Green, Miles Bellamy), Stark Gallery, New York, New York The Gluers, (Curator: Carrie Lederer), Bedford Gallery, Walnut Creek, California Edward Albee's Other Eye, Sculptural Objects from the Edward Albee Collections, Hillwood Art Museum, Long Island University, Brookville, New York Objecthood, Mills College, Oakland, California Still Lives, Zen Center Hospice Guest House, San Francisco, California SECA Award Exhibition, (John Beech, Hung Liu, Maria Porges) San Francisco Museum of Modern Art, San Francisco, California Re*Generation, San Jose Institute of Contemporary Art, San Jose, California
1991 1989 1988 1986
Towards a New Museum, San Francisco Museum of Modern Art, San Francisco, California Gallery II: John Beech, Dawn Fryling, Paul Kos, Gallery Paule Anglim, San Francisco, California Selections: San Francisco Bay Area, (Curators: Larry Rinder, Enrique Chagoya), The Drawing Center, New York, New York -traveled to Pro-Arts, Oakland, California The Store, Richard Bennett Gallery, Los Angeles, California Summer '91, Richard Bennett Gallery, Los Angeles, CAlifornia (CON-TEXT), Richard Bennett Gallery, Los Angeles, California Re: Imperfect Affinities, (Gregory Adair, John Beech, Rene de Guzman) XS Gallery, Carson City, Nevada Introductions '89, Gallery Paule Anglim, San Francisco, California Chain Reaction IV, San Francisco Arts Commission Gallery, San Francisco California Graduation Exhibition, (John Beech, Renй de Guzman, Oriane Stender) The White Room, University of California, Berkeley, California
Awards: 1999 The Pollock-Krasner Foundation Award 1998 The Chinati Foundation, Residency, Marfa, Texas 1992 SECA Award, San Francisco Museum of Modern Art, San Francisco, California 1985 Maybelle Toombs Award for Practice of Art, University of California, Berkeley
Print Making Projects / Editions: 2016 'Sides,' Edition of 15 painted seven inch vinyl records and sleeves, Galerie Gisиle Linder, Basel, Switzerland Prints of Darkness Printshop, Long Island City, NY 2015 Prints of Darkness Printshop, Long Island City, NY 2014 Smith Andersen Editions, Palo Alto, California 'Subway Plywoods, 1998 ­ 1999,' Portfolio (Edition of 6) of 9 color photographs taken in the NY City Subway system 2013 `Lone Rail,' Arber and Son Editions, Marfa, Texas 2012 `The Space Surrounding,' Book with reproductions of 31 Collages made while traveling in India and 17 b/w photographs, Peter Blum Edition, New York 2011 Dieu Donnй, New York, New York 2010 Smith Andersen Editions, Palo Alto, California 2008 `Obscure / Reveal,' Book with Edward Albee, Peter Blum Edition, New York 2006 `Container Series Edition,' Arber and Son Editions, Marfa, Texas 2007 `Dumpster Template Monotypes,' Smith Andersen Editions, Palo Alto, California 1997 `Car-Mat Print' Edition, Smith Andersen Editions, Palo Alto, California 1994 Smith Andersen Editions, Palo Alto, California
Public Collections: Albright-Knox Art Gallery, Buffalo, New York San Francisco Museum of Modern Art, San Francisco, California FRAC Bretagne, Rennes, France Manfred Wandel / Stiftung fur Konkrete Kunst, Reutlingen, Germany Oakland Museum, Oakland, California San Jose Museum of Art, San Jose, California Berkeley Art Museum, Berkeley, California Laguna Art Museum, Laguna Beach, California Museum of Art, Fort Lauderdale, Florida
de Saisset Museum, Santa Clara University, California The Martin Z. Margulies Collection, Miami, Florida Kunstmuseum, Basel, Switzerland Henry Art Gallery, University of Washington, Seattle, Washington Sidley and Austin, New York, New York Pfizer Corporation, New York, New York Microsoft Corporation, Seattle, Washington Bank of America, Los Angeles, California Robertson Stevens & Co., San Francisco, California Roche, Switzerland Swiss Re, New York, New York KFW Bank, Frankfurt / Berlin, Germany Shoes or no Shoes? Ghent, Belgium Selected Private Collections: Edward Albee, New York, New York Agnes Bourne, San Francisco, California Matthew & Nancy Browar, La Jolla, California Ann Hatch, San Francisco, California Michael and Roberta Joseph, Williamsville, New York Marilyn Minter, New York Verena and Niklaus Mueller, Zurich, Switzerland Steven Oliver, San Francisco, California Maria Giuseppina Panza di Biumo, Italy Robert Storr, New York, New York David White, New York, New York Bibliography: 2012 Nathan, Emily, `John Beech: The Space Surrounding,' Artnet.com, 4.2012 2011 `Hybrid Dumpster Drawings,' Azurebumble.wordpres.com, 12.22.2011 Buhrfeind, Eva, `Extra fur dieses Haus geschaffen,' AZ Median Der Sonntag # 41, 10.16.2011 Cabinet Magazine Issue 42 `Forgetting', drawing reproduced, 8.2011 A/Art Blog, 8.2011 Motley, John, `Artist finds Substance among the Scrap,' The Oregonian, 7.1.2011 Pollack, Barbara, `John Beech at Peter Blum Chelsea,' Art News, 4.2011 Prison Photography Website, `John Beech's Dumpster Remix,' 3.5.2011 ArtCat, Top Pick, John Beech at Peter Blum Chelsea 2.2011 Van Arsdale, Sarah, `John Beech at Peter Blum,' NY Institute of Photography Blog, 2.17.2011 Gopnik, Blake, `Daily Pic: Reutlingen Factory Yard #1', Blake Gopnik on art, 1.21.2011 2010 Fischer, Annina, `Am Anfang war eine Fotografie,' Baz, Basel, Switzerland, 8.11.2010 HG, `Die Grosstadt ist eine einzige Ausstellung,' Taz.de, Berlin, Germany, 7.7.2010 Thьring, Reto, "Die Tiefe der Oberflдche," Baz, Basel, Switzerland, 5.27.2010 2009 Zarza, Victor, "John Beech: Incident," Madrid, 11.2009 Pozuelo, Abel H., "John Beech: Incidents," El Cultural, Madrid, 11.2009 Fazzolari, Bruno, "John Beech and John Zurier," Stretcher.org, 7.2009 Cummings, Mary, "Combining the verbal talent of Edward Albee with the vision of John Beech," The East Hampton Press & The Southampton Press, 6.9.2009 Zyzzyva Literary Journal, 2 pages Artist Notebook drawings, Spring 2009 Edition, Volume XXV No.1 2008 "John Beech & Edward Albee : Obscure / Reveal," Time Out New York, 11.2008
2007 2006 2005 2004
John Beech ­ Project Space: cover + 6 pages of images, ART LIES, #58, Summer 2008 Bouyiatiotes, Anastasia, "John Beech ­ Nohow," New Europe, Arts and Culture, 3.30.2008 Dubois, Colette, "John Beech at CCNOA," H Art #33, Belgium, 3.6.2008 Boucher, Brian, "John Beech at Peter Blum," Art in America, 12.2007 "Pas de Soucis pour NOS," La Tribune, (France Sud), 6.28.2007 "Fate of Modernism," (series of photographs reproduced), Multitudes Magazine Online Paris, 6.2007 Time Out New York, The High Line (2 images reproduced from Blum), 4.2007 Collins, Tom, "Messy Minimalism: 4 from New York" Albuquerque Journal, 2.16.2007 McQuaid, Cate, "From Ordinary to the Sublime," Boston Globe, 10.26.2006 Dawson, Jessica, "Beech at G Fine Art," Washington Post, 9.30.2006 Benz, Marion, "Ein Hauch von Sommer," Baz, Basel, Switzerland, 7.20.2006 Baker, Kenneth, "Beech at Anglim," San Francisco Chronicle, 4.22.2006 Meister, Helga, "Galerie Fricke Dusseldorf," Westdeutsche Zeitung, 2.7.2006 Dressler, Christiane, "Nicht vergessen!" Rheinische Post, 2.2.2006 Ribas, Joao, "Minimalisms," Brochure text. 1.2006 Gordon, Ann, "Center Galleries: Remaining Changed," realdetroitweekly.com, 11.2005 Kuspit, Donald, "John Beech at Peter Blum," Artforum International, 11.2005 Verhagen, Marcus, "John Beech, On Waste and Space," Modern Painters, 10.2005 Hirsch, Faye, "Abstract Generations," Art in America, 10.2005 "John Beech at Peter Blum," The New Yorker, 9.12-18.2005 Nymphius, Friederike, "Minimalpop," Peinture: Cinq Regards, Editions du Regard, catalogue essay, Galerie Les Filles du Calvaire, 10.2005 Huntington, Richard, "A Sampling of all Things Abstract ­ Old and New," The Buffalo News, 8.13.2005 Maine, Stephen, "The Photograph as Canvas," Art on Paper, 9-10.2005 Buhmann, Stephanie, "John Beech Recent Sculpture and Large Scale Drawings," The Brooklyn Rail, 7 ­ 8. 2005 Finch, Charlie, "Buffalo Soldier, Extreme Abstraction," Artnet 8.2005 Huntington, Richard, "To the Extreme," The Buffalo News Gusto, 7.15.2005 Johnson, Ken, "John Beech at Peter Blum," The New York Times, 7.1.2005 "Beech at Blum," Listing with image reproduced, Modern Painters, 7.2005 Boykoff, Joan and Baron, Reuben M., "The Forman Collection," Artcritical.com 7.2005 Huntington, Richard, "Blues Clues, The Forman Collection," The Buffalo News Gusto 6.10.2005 Gassch, Cynnie, "A Meditative Spirit, The Forman Collection," Buffalo AV, 5.12.2005 Gassch, Cynnie, "Monochromes," Buffalo AV, 5.5.2005 "The Natalie and Irving Forman Collection," Albright-Knox Now 5-6.2005 Lorent, Claude, "Les Voies Multiples de l'Abstraction," La Libre Belgique, 5.4.2005 King, Sarah, "John Beech at Charlotte Jackson," Art in America, 2.2005 MacAdam, Barbara, "MinimalPop," ARTnews, 2.2005 Dreher, Sabine, "Subtiler Hinterhof-Charme," Reutlingen General-Anzeiger, 1.13.2005 Zu Mecklemberg, Christina, "@proximus, bonner initiative verbindet kunstwelten," Junge Kunst # 61, 1.2005 Loire, Cedric, "Less is Pop," L'Art Meme, Paris, 1.2005 Kuebler, Gabriele, "Zwei Kunstler `Vor Ort'," Reutlinger General-Anzeiger, 12.3.2004 Benz, Marion, "Von der Farbe, John Beech und John Meyer in der Galerie Linder," Baz, Basel, Switzerland, 11.14.2004 "John Beech from the Collection," Albright-Knox Now, 3­4. 2004
2003 2002 2001 2000
"The Forman Collection," Albright-Knox Now, 1-2.2004 Bakke, Erik, "The history of the world vs. your aesthetic," NY Arts Magazine, 6.2003 Worth, Alexi, "John Beech at Peter Blum," The New Yorker, 4.21-28.2003 Weiderman, Paul, "Necessary Roughness," Santa Fe New Mexican Pasatiempo, 10.11.2002 Becker, Helena Kanyar, "Painting on the Move, Basel," Atelier 16-17, 8.28.2002 Benz, Marion, "Ein Rhythmus sucht sein Bild," Basler Agenda, 6.6.2002 Bollen, Christopher, "Surfaces and Support Systems," Time Out New York, 1.3.2002 Pierogi Press, Number 8, image reproduced, Brooklyn, 2002 Carel, Sari, "John Beech at Stark Gallery," Zingmagazine Issue 15, 6.2001 Knepp, Gregorio, "From Idea to Matter," Sculpture Magazine, 5.2001 Chinati Foundation newsletter Volume 6, image reproduced, 2001 Levin, Kim, "John Beech at Stark Gallery," The Village Voice, 12.26.2000 Everett, Deborah, "Trajectories, Brooklyn," New York Arts Magazine, 11.2000 McLeod, Deborah, "Running on Empty," Richmond Virginia Style Weekly, 10.31.2000 Rand, Harry, Catalogue essay "From Idea to Matter," 10.2000
1999 1998 1997 1995
Bonetti, David, "Charting 35 years of California Art," San Francisco Examiner, 1.6.2000 Vandendries, Jean, "L'art et les matieres de Fernandez," Le Soir (Belgium), 11.4.1999 McFadden, Sarah, Text, "Tourinnes-La-Grosse" exhibition catalogue, 11.1999 Baker, Kenneth, "John Beech at Paule Anglim," ARTnews, 6.1999 Hickson, Patricia, "Into the 21st Century: San Jose Museum of Art," Catalogue essay, 5.1999 Johnson, Ken, "John Beech & Christopher Lesnewski," New York Times, 4.30.1999 Smith, Roberta, "Upper East Side," New York Times, 4.30.1999 Newhall, Edith, "Texas Two-Step," New York Magazine, 4.19.1999 Maclay, Catherine, "Material Issues," San Jose Mercury News, 4.11.1999 Bakke, Erik, "Studio Visit: John Beech," New York Arts Magazine, 4.1999 Everett, Deborah, "Beech & Lesnewski," New York Arts Magazine, 4.1999 Bonetti, David, "Bay City Best," San Francisco Examiner Magazine, 3.14.1999 Scherr, Apollinaire, "Stranded in Marfa," Oakland East Bay Express, 2.19.1999 Baker, Kenneth, "Sculptures With Delayed Punch Lines," San Francisco Chronicle, 2.5.1999 Chinati Foundation newsletter Volume 4, image reproduced, 1999 Estep, Jan, "Blunt Object", New Art Examiner, 12.1998 Big Bend Sentinel, Marfa, Texas, 10.1998 Smith, Courtenay, "Blunt Object" Exhibition Catalogue essay, 9.1998 Sillen, Kim, "Here & Now," New York Arts Magazine, 6.1998 Freedman, Matt, "Here & Now," Exhibition Catalogue essay, 4.1998 Damianovic, Maia, "Painting Beyond Limits," Tema Celeste, 4.1997 1996 Bensley, Lis, "John Beech & James Hyde," Santa Fe New Mexican Pasatiempo, 6.7.1996 Smith, Roberta, "Corcoran Biennial," New York Times, 12.1995 Baker, Kenneth, "Details Know Their Importance," San Francisco Chronicle, 12.5.1995 Bonetti, David, "John Beech at Paule Anglim," San Francisco Examiner, 12.1.1995 Kelley, Jeff, text for Corcoran Biennial Catalogue, 12.1995
1993 1992 1991 1990 1989
Sultan, Terrie, "Off the Wall and Beyond the Frame," Catalogue essay "44th Biennial Exhibition of Contemporary American Painting, The Corcoran Gallery." 11.1995 Taplin, Robert, "John Beech at Miles Bellamy," Art in America, 2.1995 Baker, Kenneth, "Sculpture With Poise and Humor," San Francisco Chronicle, 11.10.1993 Roby, Dianne, "Beech at Anglim," Artweek, 11.4.1993 Baker, Kenneth, "Things Good From Spectator's View," San Francisco Chronicle, 3.14.1993 Bonetti, David, "Mills College," San Francisco Examiner, 3.12.1993 Watten, Barrett, "Cultural Strategists: 1992 SECA Art Award at SFMOMA," Artweek, 11.5.1992 Bonetti, David, "SFMOMA SECA Exhibit," 10.1992 Baker, Kenneth, "John Beech at Upaya," ARTnews, 9.1992 Baker, Kenneth, "SECA Award Show," San Francisco Chronicle, 9.27.1992 Caldwell, John and Bishop, Janet, essay and interview, SECA Art Award Catalogue, San Francisco Museum of Modern Art, 9.1992 Zyzzyva Literary Journal, cover + 27 pages of drawings reproduced, summer 1992 Fazzolari, Bruno, "Auto Conceptual," Artweek, 5.21.1992 Baker, Kenneth, "John Beech Builds a Show at Upaya," San Francisco Chronicle, 4.27.1992 Porges, Maria, "San Francisco Fax," Artissues, 11.1991 Bonetti, David, "Door-Opening Readymade," San Francisco Examiner, 9.17.1991 Levi-Strauss, David, "John Beech," California Magazine, 9.1991 Tin Nyo, Paula, "No Pencils, Selections Bay Area Drawing," Artweek, 5.1991 LaPalma, Marina, "(Con-Text)," New Art Examiner, 3.1991 Levy, Mark, "Evans," Art International, Winter 1990 Baker, Kenneth, "Promising Debut of John Beech," San Francisco Chronicle, 7.29.1989

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