Jane Hammond, J Hammond, C Monoprints

Tags: New York, Jane Hammond, Galerie Lelong, New York, New York, The New York Times, Art in America, Galeria Senda, Contemporary Art, Lemberg Gallery, Greg Kucera Gallery, Buffalo, New York, Nina Freudenheim Gallery, Ferndale, Michigan, Detroit Institute of the Arts, New Art Examiner, Oklahoma City Art Museum, San Francisco, California, Maryland Institute, Bradford Art Galleries, Contemporary Art Collections, New York Summer Group Exhibition, Taubman Museum of Art, Birmingham, Michigan, Mount Holyoke College, Museum of Contemporary Art San Diego, California Jane Hammond, Myers Bloom Gallery, Hawaii Maryland Institute College of Art, New York Yale University Art Gallery, Blaffer Gallery, New Museum of Contemporary Art, Cedar Rapids Museum of Art Vincent, Honolulu Academy of Arts, catalog essay, Detroit News, pp, Detroit Free Press, Art News, Jose Freire Fine Art, Ashbery, John, Wetterling Gallery McCracken, Art & Antiques, Honolulu, Hawaii, Milwaukee Art Museum, illustrations, David, Summer Group Show, Chicago Tribune, Yale University Art Gallery
Content: JANE HAMMOND
1950
Born in Bridgeport, Connecticut
Education
1972 1973-74 1977
B.A., Mount Holyoke College, South Hadley, Massachusetts Arizona State University, Tempe, Arizona M.F.A., University of Wisconsin, Madison, WIsconsin
Selected solo exhibitions
2010
Cabinet de Curiosites, Galerie Lelong, Paris, France Jane Hammond: New Collaged Monoprints, Pace Prints, New York, New York Fallen, Taubman Museum of Art, Roanoke, Virginia
2009 2008 2007 2006
Galeria Senda, Barcelona, Spain Jane Hammond: Photography, Museum of contemporary art/Denver, Colorado Fallen, Museum of Contemporary Art San Diego, California Jane Hammond: New Photographs of Late, Visual Arts Gallery, University of Alabama, Birmingham, Alabama Jane Hammond, Brevard Art Museum, Melbourne, Florida Internally Displaced: Jane Hammond and Enrique Chagoya, A + D Gallery, Columbia College, Chicago, Illinois Jane Hammond: Paper Work, traveling to the Herbert F. Johnson Museum, Cornell University, Ithaca, New York; the Achenbach Foundation at the DeYoung Museum, San Francisco, California; and the Detroit Institute of Art, Detroit, Michigan (with catalogue) Fallen, Wexner Center for the Arts, Columbus, Ohio Museum of Contemporary Art, Denver, Colorado McNay Art Museum, San Antonio, Texas Jane Hammond: Photographs, Nina Freudenheim Gallery, Buffalo, New York Jane Hammond: Monoprints at Pace Prints, Pace Prints, New York, New York Galeria Senda, Barcelona, Spain Jane Hammond: Paper Work, Mount Holyoke College Museum of Art, South Hadley, Massachusetts; traveled to the Herbert F. Johnson Museum, Cornell University, Ithaca, New York; Tucson Art Museum, Tucson, Arizona, New Mexico; Harwood Museum, Taos, New Mexico; Achenbach Foundation, de Young Memorial
2005 2004 2003 2002 2001 2000 1999 1998 1997 1996
Museum, San Francisco, California; and the Detroit Institute of Art, Detroit, Michigan Recent Photography, Jaffe-Friede and Strauss Galleries, Hopkins Center, Dartmouth College; traveled to Lemberg Gallery, Ferndale, Michigan William Shearborn Gallery, St. Louis, Missouri Galerie Lelong, New York, New York Wetterling Gallery, Stockholm, Sweden Byron Coheen Gallery, Kansas City, Missouri Greg Kucera Gallery, Seattle, Washington Weatherspoon Art Museum, The University of North Carolina, Greensboro, North Carolina Be Zany, Poised Harpists; Be Blue, Little Sparrows, Dieu Donnй Gallery, New York, New York John Berggruen Gallery, San Francisco, California Vanguardia Gallery, Bilbao, Spain Lemberg Gallery, Ferndale, Michigan David Floria Gallery, Aspen, Colorado Whitney Museum of American Art at Philip Morris, New York, New York Be Zany, Poised Harpists; Be Blue, Little Sparrows, Dieu Donnй Gallery, New York, New York Galeria Senda, Barcelona, Spain Galerie Lelong, New York, New York Cleveland Center for Contemporary Art, Cleveland, Ohio; traveled to Contemporary Museum, Honolulu, Hawaii; Madison Art Center, Madison, Wisconsin; Blaffer Gallery, The Art Museum of the University of Houston, Houston, Texas Lemberg Gallery, Ferndale, Michigan Greg Kucera Gallery, Seattle, Washington Lemberg Gallery, Birmingham, Michigan Galeria Senda, Barcelona, Spain Jane Hammond and Judy Pfaff, Byron Cohen Gallery, Kansas City, Missouri David Beitzel Gallery, New York, New York Zolla/Lieberman Gallery, Chicago, Illinois David Floria Gallery, Aspen, Colorado Galerie Barbara Farber/Rob Jurka, Amsterdam, Netherlands Luhring Augustine, New York, New York Greg Kucera, Seattle, Washington West Virginia University, Morgantown, West Virginia Lemberg Gallery, Birmingham, Michigan Galerie Barbara Farber, Amsterdam, Netherlands
1995 1994 1993 1992 1991 1990 1989 1987
Jose Freire Fine Art, New York, New York Zolla/Lieberman Gallery, Chicago, Illinois Ruth Bloom Gallery, Santa Monica, California Jose Freire Fine Art, New York, New York The Orlando Museum of Art, Orlando, Florida; traveled to The Freedman Gallery, Albright College, Reading, Pennsylvania Jose Freire Fine Art, New York, New York, in collaboration with John Ashbery Cincinnati Museum of Art, Cincinnati, Ohio Greg Kucera Gallery, Seattle, Washington Feigenson-Preston Gallery, Birmingham, Michigan Transepoca Gallery, Milan, Italy Heland Wetterling Gallery, Stockholm, Sweden fiction/non-fiction Gallery, New York, New York Feigenson-Preston Gallery, Birmingham, Michigan Gallery Wetterling, Goteborg, Sweden Zolla/Lieberman Gallery, Chicago, Illinois Honolulu Academy of Art, Honolulu, Hawaii fiction/non-fiction Gallery, New York, New York Exit Art, New York, New York Nina Freudenheim Gallery, Buffalo, New York
Selected group exhibitions
2010
Resurrectine, Ronald Feldman Fine Arts, New York, New York The Visible Vagina, David Nolan Gallery, New York, New York; Francis M. Naumann Fine Art, New York, New York Shark's Ink, Creative Arts Center, Wright State University, Dayton, Ohio Paper CUT, Lemberg Gallery, Ferndale, Michigan Made in U.S.A, Greg Kucera Gallery, Seattle, Washington
2009
Drawings and Prints: Selections from the Permanent Collection, The Metropolitan Museum of Art, New York, New York Modern and Contemporary Art at Dartmouth: Highlights from the Hood Museum of Art, Hood Museum of Art, Hanover, New Hampshire Eye World, Triple Candie, New York, New York Telling Secrets: Codes, Captions, and Conundrums in Contemporary Art, The National Museum of Women in the Arts, Washington D.C. Jump Cut Pop, Haggerty Museum of Art, Marquette University, Milwaukee, Wisconsin On Paper, William Shearburn Gallery. Santa Fe, New Mexico I.D.: Individual Demographics, Greg Kucera Gallery, Seattle, Washington
2008 2007 2006 2005
Talk Dirty to Me, Larissa Goldston Gallery, New York, New York The Legend of Bud Shark and His Indelible Ink, Museum of Contemporary Art/Denver, Colorado Collaborative Vision: The Poetic Dialogue Project, Chicago Cultural Center, Yates Gallery, Chicago, Illinois, traveling to Indiana State University Art Gallery, Terre Haute, Indiana and Bowling Green State University Art Gallery. Bowling Green, Ohio Shark's Ink, Museum of Contemporary Art, Denver, Colorado Wunderkammer: A Century of Curiosities, Museum of Modern Art, New York, New York A Pace Menagerie, Pace Prints Gallery, New York, New York On the Margins, Mildred Lane Kemper Art Musuem, St. Louis, Missouri Collector's Choice III: Audacity in Art, Orlando Museum of Art, Orlando, Florida Two Years, Whitney Museum of American Art, New York, New York Addicted to Paper, Galerie Lelong, Zurich, Switzerland Photography and the Self: The Legacy of F. Holland Day, Whitney Museum of American Art, New York, New York Lines in the Earth: Maps, Power and the Imagination, Sun Valley Center for the Arts, Ketchum, Idaho The F Word?, Cynthia Broan Gallery, New York, New York Fresh, Gallery Eighty, Singapore Small Work, Nina Freudenheim Gallery, Buffalo, New York Fresh, Lemberg Gallery, Ferndale, Michigan Stories and Histories, Faulconer Gallery, Grinnell College, Grinnell, Iowa Making a Mark: Four Contemporary Artists in Print, Yale University Art Gallery, New Haven, Connecticut Out of Line: Drawings from the Collection of Sherry and Joel Mallin, Herbert F. Johnson Museum, Cornell University, Ithaca, New York The Word as Image, National Museum of Women in the Arts, Washington D.C. Summer Selections, John Berggruen Gallery, San Francisco, California The Message is the Medium, Jim Kempner Fine Art, New York, New York Gimme Shelter, 10a Serpentine Drive, Shelter Island Heights, Shelter Island, New York Summer Group Show, Lemberg Gallery, Ferndale, Michigan Patchwork: Affinities and Influences in Contemporary Art, Greg Kucera Gallery, Seattle, Washington Women in the Bedroom, Larissa Goldston Gallery, New York, New York Super Bowl, Detroit Institute of the Arts, Detroit, Michigan Remarkable Women, Peltz Gallery, Milwaukee, Wisconsin New Prints 2006/Winter, International Print Center, New York, New York Biella Print Triennale, Museo del Territorio, Biella, Italy Imagined Worlds: Willful Invention and the Printed Image 1470-2005, Axa Gallery, New York, New York Points of View: Landscape and Photography, Galerie Lelong, New York, New York Summer Group Show, LEmberg Gallery, Ferndale, Michigan Steven Scott Collects: Donations and Promised Gifts to the Permanent Collection,
2004 2003 2002
National Museum of Women in the Arts, Washington, D.C. 25 Ans D'art Contemporain, Tenniseum, Le Musee de Roland-Garros, Paris, France Portraits on Paper, Larissa Goldston Gallery, New York, New York Five Presses: Selected Works, Arvada Center for the Arts and Humanities, Arvada, Colorado Toy/Box, John Berggruen Gallery, San Francisco, California Livres d'artistes americains en Europe, 1960-2000, Musee d'Art Americain Giverny, Giverny, France New Prints 2004/Summer, International Print Center, New York, New York What's That?, Children's Museum of Manhattan, New York, New York The Exit Art Print Show, Exit Art, New York, New York The Flag Project, Rubin Museum of Art, New York, New York The Sporting Women: The Female Athlete in American culture, Mount Holyoke College Museum of Art, South Hadley, Massachusetts Four Decades of Printmaking 1960-2000: Selections from the Maslow Collection, Everhart Museum, Scranton, Pennsylvania Constructing Realities, Part 2, Selby Gallery, Ringling School of Art and Design, Sarasota, Florida Toys `R' Art, Galeria Senda, Barcelona, Spain Ten, Byron Cohen Gallery, Kansas City, Missouri The Buddha Project, Cleveland State University Art Gallery, Cleveland, Ohio Art, Artists, and the Addison, Addison Gallery of American Art, Andover, Massachusetts ULAE: The Print Show, Oklahoma City Museum of Art, Oklahoma City, Oklahoma Arte Termita Contra Elefante Blanco, Museo ICO, Madrid, Spain Super-Sized: The Big Print Show, Greg Kucera Gallery, Seattle, Washington Roberta Lieverman, A Sharp Eye: An Art Dealer's 40 Year Journey, Evanston Art Center, Evanston, Illinois ULAE: New Editions, Art on Paper, Philadelphia, Pennsylvania Divergent, Galerie Lelong, New York, New York I Love New York, Mary Ryan Gallery, New York, New York A Way With Words, John Berggruen Gallery, San Francisco, California Splendid Pages: The Molly and Walter Bareiss Collection of Modern Illustrated Books, Toledo Museum of Art, Toledo, OH Art a Century Apart: 1903 and 2003, Mississippi Museum of Art, Jackson, Mississippi On Paper: Masterworks from the Addison Collection, Addison Gallery of American Art, Andover, Massachusetts Contemporary Prints and Photographs from the Bruce Brown Collection, Colby College Museum of Art, Waterville, Maine ULAE: Recent Additions, David Floria Gallery, Aspen, Colorado Word/Image, Westport Arts Center, Westport, Connecticut 177th Annual, National Academy of Design, New York, New York American Painting, Christian Dam Gallery, Oslo, Norway Universal Limited Art Editions, Devin Borden Hiram Butler Gallery, Houston, Texas New York New Work Now!, Currier Museum of Art, Manchester, New Hampshire Resisting Categories, The Gallery of South Orange, South Orange, New Jersey Splendid Pages: The Molly and Walter Bareiss Collection of Modern
2001 2000 1999
Illustrated Books, Toledo Musuem of Art, Toledo, Ohio The Art of Healing II, Greg Kucera Gallery, Seattle, Washington One Thousand Words: Storytelling Images from Cultures Around the World, John Michael Kohler Arts Center, Sheboygan, Wisconsin Remarkable Women, Peltz Gallery, Milwaukee, Wisconsin Digital Printmaking Now, Brooklyn Museum of Art, Brooklyn, New York Curator's Choice: A Personal Look at Prints, Detroit Institute of the Arts, Detroit, Michigan Summer in the City, John Berggruen Gallery, San Francisco, California Bugs, Pace Prints, New York, New York Underfoot, Associacao Alumni, Sao Paulo, Brazil Kinds of Drawing, Herter Art Gallery, University of Massachusetts, Amherst, Massachusetts Summer Group Exhibition, David Beitzel Gallery, New York, New York High Art: Art of the Bank of America Tower, Bank of America Gallery, Seattle, Washington Din Art 4, Museum fur Kommunikation, Frankfurt, Germany State of the Art 2001, International Biennial Watercolor Exhibition, Parkland College, Champaign, Illinois Luck of the Drawn, Geoffrey Young Gallery, Great Barrington, Massachusetts Celebrating Women's Art--Benefiting Women's Health: In honor of the Lynne Cohen Foundation for Ovarian Cancer Research, Bobbie Greenfield Gallery, Santa Monica, California Picturing the Modern Amazon, The New Museum, New York, New York 1001 Nights, Landesmuseum, Linz, Austria Contemporary Narrative in American Prints, Whitney Museum at Champion, Stamford, Connecticut Mapping Cities, Boston University Art Gallery, Boston, Massachusetts Drawing and Photographs, Matthew Marks Gallery, New York, New York The Likeness of Being: Self Portraits by Contemporary Women Artists, DC Moore Gallery, New York, New York The End: An Independent Vision of the History of Contemporary Art, Exit Art, New York, New York Reconstructions: The Imprint of Nature/The Impact of Science, Sidney Mishkin Gallery, Baruch College, New York, New York Selections from the Permanent Collection and Loans from Private Collections, Portland Art Museum, Portland, OR UTEP Millennium Printmaking Invitational, Fox Fine Arts Center, University of Texas at El Paso, El Paso, Texas New Prints, David Adamson Gallery, Washington, D.C. Lasting Impressions, Portland Museum of Art, Portland, Maine The Broad Spectrum: Color on Paper, Past and Present, The Art Institute of Chicago, Chicago, Illinois Summer Group Exhibition, David Beitzel Gallery, New York, New York The Body as Question, Speed Museum, Louisville, Kentucky A Sense of Risk, Selections from the Shiffler Foundation, Miami University, Oxford, Ohio
1998 1997
Faster Than a Speeding Bullet: Superheroes in Contemporary Art, Cleveland Center for Contemporary Art, Cleveland, Ohio Gallery Artists, Zolla Lieberman Gallery, Chicago, Illinois Fabled Impressions, Georgia Museum of Art, Athens, Georgia Women in Print, Jim Kempner Fine Art, New York, New York Elliot Green, Jane Hammond, David True, Trevor Winkfield, Tibor de Nagy Gallery, New York, New York Domestic Pleasures, Galerie Lelong, New York, New York Portraits, Jim Kempner Fine Art, New York, New York The New Museum Annual Benefit Exhibition, The New Museum, New York, New York Calendar 2000 Project, Center for Curatorial Studies, Bard College, Annondale-on-Hudson, New York Die Kunst der Linie (The Artistic Possibilities of the Line), Landesgalerie Oberosterreich, Linz, Austria Secret Victorians, Firstsite, The Minories Art Gallery, Colchester, United Kingdom; traveled to Arnolfini, Bristol, United Kingdom; Ikon Gallery, Birmingham, United Kingdom; Middlesborough Art Gallery, Middlesborough, United Kingdom; The Armand Hammer Museum of Art, UCLA, Los Angeles, California; The Fabric Workshop, Philadelphia, Pennsylvania Prints in the `90's from ULAE, Marlborough Chelsea, New York, New York; traveled to Fay Gold Gallery, Atlanta, Georgia; City Arts Center, Oklahoma City, Oklahoma; Locus Gallery, St. Louis, Missouri; James Kelly Contemporary, Santa Fe, New Mexico Artists on Line for Acor, Gagosian Gallery, New York, New York Preview, Byron Cohen, Kansas City, Missouri Knowing Children, David Beitzel Gallery, New York, New York Preserving the Past, Securing the Future, National Museum of Women in the Arts, Washington, D.C. Masters of the Masters, Butler Institute of American Art, Youngstown, Ohio Paper + Works on Dieu Donnй Paper, The Gallery at Dieu Donnй Papermill, New York, New York A Sustaining Passion: The Tsagaris/Hillberry Collection, Cedar Rapids Museum of Art, Cedar Rapids, Iowa; traveled to Dubuque Museum of Art, Dubuque, Iowa New Work By Gallery Artists, Lemberg Gallery, Birmingham, Michigan Livres d'Artistes, Espace Cultural de Tingeux, Tingeux, France Michael Banicki, Jane Hammond, Tim Rollins + KOS, Gahlberg Gallery, College of Du Page, Glen Ellen, Illinois ULAE: A Print Survey, Greg Kucera Gallery, Seattle, Washington Proof Positive: 40 Years of Contemporary American Printmaking at ULAE 1957-1997, organized by the Corcoran Gallery of Art, Washington, D.C.; traveled to the University of Colorado, Boulder, Colorado; Armand Hammer Cultural Center at UCLA, Los Angeles, California; Sezon Museum of Art, Tokyo, Japan New York, F15 Galleri, Oslo, Norway Collector's Choice, Orlando Museum of Art, Orlando, Florida
1996 1995 1994 1993
Making Time, Kitteridge Gallery, University of Puget Sound, Tacoma, Washington The Changing Image, Gian Ferrari Arte Contemporanea, Milan, Italy Talk Back! A Forum for Critical Discourse, http://talkback.lehman.cuny.edu/tb 100 Years of Collecting, Cornell Fine Arts Museum, Rollins College, Winter Park, Florida Contemporary Floral, Steven Scott Gallery, Baltimore, Maryland Recent Print Exhibitions, Museum of Modern Art, New York, New York Insight, David Beitzel Gallery, New York, New York Summer Group Show, Luhring Augustine, New York, New York This End Up: Selections from the Robert J. Shiffler Collection, organized by The Wyoming Art Museum and the Robert J. Shiffler Collection, University of Wyoming Art Museum, Laranue, Wyoming; traveled to South Dakota Art Museum, Brooking, South Dakota; The Arvada Center of the Arts & Humanities, Arvada, Colorado; The Cleveland Center for Contemporary Art, Cleveland, Ohio Group Painting Show, Galleri K, Oslo, Norway Playtime: Artists and Toys, Whitney Museum at Champion, Stamford, Connecticut Ten Young American Artists, Wetterling-Teo Gallery, Singapore Anxiety and the Irrational: Selections from the Permanent Collection, Whitney Museum of American Art, New York, New York Prints to Benefit the Foundation for Contemporary Performance Arts, Brooke Alexander Gallery, New York, New York The Magic Magic Book, The Whitney Museum of American Art, New York, New York Reinventing the Emblem, Yale University Art Gallery, New Haven, Connecticut Large and Small: Prints from Universal Limited Art Editions, The Art Institute of Chicago, Chicago, Illinois Sex, Greg Kucera Gallery, Seattle, Washington Selections from the Collection: Recent Print Acquisitions, The Whitney Museum of American Art, New York, New York Garden, Barbara Krakow Gallery, Boston, Massachusetts Who Chooses Who, New Museum of Contemporary Art, New York, New York Not for the First Time, Richard F. Brush Gallery, St. Lawrence University, Canton, New York Night Visions and Other Obsessions, Marguerite Oestreicher Fine Arts, New Orleans, Louisana Drawings for Lacanian Ink, Thread Waxing Space, New York, New York ULAE: New Editions, Brooke Alexander Gallery, New York, New York, and Bobbie Greenfield Gallery, Venice, California Living with Art: The Saul and Ellyn Dennison Collection, The Morris Museum, Morristown, New Jersey Scratching the Surface, Colgate University, Hamilton, New York New York Works on Paper, Geoffrey Young Gallery, Great Barrington, Massachusetts Regarding Masculinity, Arthur Roger Gallery, New Orleans, Louisiana Figure as Fiction, The Cincinnati Center for Contemporary Art, Cincinnati, Ohio Benefit for the Foundation for Contemporary Performance Art, Leo Castelli
1992 1991
Gallery, New York, New York I, the Enunciator, The Thread Waxing Space, New York, New York The Fine Art of Patronage, Cranbrook Academy of Art Museum, Bloomfield Hills, Michigan Hypnosis, The Maryland Institute College of Art, Baltimore, Maryland Fear of Painting, Arthur Roger Gallery, New York, New York Painting Culture, University of California at Irvine, Irvine, California Group Exhibition, John Berggruen Gallery, San Francisco, California Landscape as Stage, Locks Gallery, Philadelphia, Pennsylvania Hair, The John Michael Kohler Arts Center, Sheboygan, Wisconsin Collectif Generation, Le Peintre, l'ecrivain et le livre, 1988-1992, Low Rotunda Memorial Library, Columbia University, New York, New York Jane Hammond, Valerie Parks, Archie Rand, Feigenson-Preston Gallery, Birmingham, Michigan Selections 1991: Recent Acquisitions of the Honolulu Advertiser Collection, The Contemporary Museum, Honolulu, Hawaii Gallery Selections, Feigenson Preston Gallery, Birmingham, Michigan Painted Word/Written Image, Greg Kucera Gallery, Seattle, Washington Four Painters, Nichido Gallery, Tokyo and Nagoya, Japan Drawn in the Nineties, Independent Curators International, Katonah Art Museum, Katonah, New York; traveled to Fine Arts Gallery, Indiana University, Bloomington, Indiana; Illingworth Kerr Gallery, Calgary, Alberta, Canada; Huntsville Museum of Art, Huntsville, Alabama 43rd Annual Academy-Institute Purchase Exhibition, American Institute of Arts and Letters, New York, New York Painting Culture, fiction/nonfiction, New York, New York Livres d'Artists of Collectif Genйration, Center for Book Arts and the French Cultural Services, New York, New York Marking the Decades: 1960-1990, Baltimore, Museum of Art, Baltimore, Maryland Group Exhibition - Drawings, Charles Cowles Gallery, New York, New York New U.L.A.E., Pence Gallery, Santa Monica, California Words & #s, Museum of Contemporary Art, Wright State University, Dayton, Ohio Drawing Conclusions, Molica guid Arte, New York, New York Europa / America, Molica guid Arte, New York, NY Abstract Information: First Impressions, Last Resorts--Printmaking at the End of the Century Charles Plohn Gallery, Sacred Heart University, Fairfield, Connecticut; traveled to Bard College, Annandale-on-Hudson, New York Gallery Artists, fiction / nonfiction Gallery, New York, New York Presswork: The Art of Women Printmakers, The National Museum of Women in the Arts, Washington, D.C.; traveled to Atlanta College of Art, Atlanta, Georgia; University Art Museum, University of Minnesota, Minneapolis, Minnesota; Elvehjem Museum of Art, University of Wisconsin, Madison, Wisconsin; The Butler Institute of American Art, Youngstown, Ohio; Federal Reserve Bank Fine Arts Gallery, Kansas City, Missouri; Edwin A. Ulrich Museum of Art, Wichita State University, Wichita, Kansas; Portsmouth Museums, Portsmouth Community Arts Center, Portsmouth, Virginia; Spiva Art Center, Joplin, Missouri
1990 1989
Benefit Exhibition: 14th Anniversary, The New Museum of Contemporary Art, New York, New York The ICI 15th Anniversary Print Portfolio, Castelli Graphics, New York; traveled to Pace Gallery, New York, New York; Brook Alexander, New York, New York; Myers Bloom Gallery, Los Angeles, California Eye for Art II, Detroit Institute of the Arts, Detroit, Michigan Cross Sections - Contemporary Art Collections in Detroit, Meadowbrook Art Gallery, Oakland University, Rochester, Michigan Barrett, Hammond, Salo, Wesley, fiction/non-fiction Gallery, New York, New York Black and White, Nina Freudenheim Gallery, Buffalo, New York Retakes--Prints and Drawings by 6 Canadian and 6 American Artists, Extension Gallery, Toronto, Ontario, Canada Word as Image: American Art 1960-1990, The Milwaukee Art Museum, Milwaukee, Wisconsin; traveled to The Oklahoma City Art Museum, Oklahoma City, Oklahoma; The Contemporary Arts Museum, Houston, Texas 42nd Annual Academy - Institute Purchase Exhibition, American Academy and Institute of Arts and Letters, New York, New York The Unique Print, Museum of Fine Arts, Boston, Massachussetts 11th British International Print Biennale, Bradford Art Galleries and Museums, Bradford, EUnited Kingdom La Bibliothиque Imagineй de Collectif Gйnйration, Victoria and Albert Museum, London, United Kingdom; traveled to Musйe de Graveline, Graveline, France Sixth Sense, Pence Gallery, Santa Monica, California Out of Abstraction, Islip Art Museum, Islip, New York Intimate Inventions/Gestural Abstractions, Madison Art Center, Madison, Wisconsin Waterworks, Universal Limited Art Editions, New York, New York Gallery Selections, fiction/non-fiction Gallery, New York, New York Faces, Marc Richards Gallery, Los Angeles, California Works on Paper, Shea and Beker Gallery, New York, New York Gallery Selections Feigenson-Preston Gallery, Birmingham, Michigan The Fifth Essence, Gracie Mansion Gallery, New York, New York A Selection of Selections, Parsons School of Design, New York, New York Selections from The Laila and Thurston Twigg-Smith Collection, The Contemporary Museum, Honolulu, Hawaii 25th National Print Exhibition, the Brooklyn Museum, Brooklyn, New York Visions of the Volcano, East Hawaii Cultural Center, Hilo, Hawaii; traveled to The Contemporary Museum, Honolulu, Hawaii; Stones Gallery, Kuai, Hawaii New Work, Feigenson-Preston Gallery, Birmingham, Michigan Ten Gallery Artists, Nina Freudenheim Gallery, Buffalo, New York Summer Group Exhibition, Shea & Beker, New York, New York Invitational with Gallery Artists, fiction/non-fiction Gallery, New York, New York Summer Group Exhibition, Ledis Flam Gallery, New York, New York Summer Group Exhibition, Dolan/Maxwell Gallery, New York, New York Invitational, Feigenson-Preston Gallery, Birmingham, Michigan Summer Invitational, Works on Paper, Dolan/Maxwell Gallery, Philadelphia, Pennyslvania
1988 1987 1986 1986
Small Paintings, Nina Freudenheim Gallery, Buffalo, New York Prints and Trial Proofs, Simon James Gallery, Berkeley, California Earth Remembered, New York, New York Drawing and Related Prints, Castelli Graphics, New York, New York 100 Women's Drawings, Long Island University, C.W. Post Campus, Brookville, NY; traveled to Blum-Helman Gallery, New York, New York The New Generation, Elaine Benson Gallery, Bridgehampton, New York Underknown in New York II, Hunter College, New York, New Painters Make Prints, The Maryland Institute, College of Art, Baltimore, Maryland; traveled to Essex Community College, Essex, Maryland; Hood College, Frederick, Maryland; Frostburg State University, Frostburg, Maryland Pastel Anthology II, Grace Borgenicht Gallery, New York, New York Invitational Exhibition, Stux Gallery, New York, New York Paper, Dalsheimer Gallery, Baltimore, Maryland Small-Scale Abstraction, Grace Borgenicht Gallery, New York, New York Inaugural Exhibition, Cavin-Morris, New York, New York
Selected Public Collections: Addison Gallery of American Art, Andover, Maryland Albertina, Vienna, Austria Albright-Knox Art Gallery, Buffalo, New York Art Institute of Chicago, Chicago, Illinois Baltimore Museum of Art, Baltimore, Maryland Bibliothиque Nationale, Paris, France Brooklyn Museum of Art, Brooklyn, New York Cincinnati Art Museum, Cincinnati, Ohio The Contemporary Museum, Honolulu, Hawaii The Detroit Institute of the Arts, Detroit, Michigan The Fogg Art Museum, Harvard University, Cambridge, Massachusetts Fort Wayne Museum of Art, Fort Wayne, Indiana Grunewald Center for Graphic Arts, Los Angeles, California Honolulu Academy of Art, Honolulu, Hawaii Maryland Institute College of Art, Baltimore, Maryland Museo de Arte Contemporaneo, Mexico City, Mexico Metropolitan Museum of Art, New York, New York Milwaukee Art Museum, Milwaukee, Wisconsin Museum of Contemporary Art, Chicago, Illinois Museum of Fine Arts, Boston, Massachusetts Museum of Modern Art, New York, New York New York public library, New York, New York Orlando Museum of Art, Orlando, Florida Portland Art Museum, Portland, Oregon Saint Louis Art Museum, St. Louis, Missouri
San Francisco Museum of Modern Art, San Francisco, California San Jose Museum of Art, San Jose, California Toledo Museum of Art, Toledo, Ohio Tucson Museum of Art, Tucson, Arizona The Walker Art Center, Minneapolis, Minnesota Weatherspoon Art Museum, The University of North Carolina, Greensboro, North Carolina The Whitney Museum of American Art, New York, New York Yale University Art Gallery, New Haven, Connecticut
Selected Awards:
2000 1992 1989 1986 1985 1985
The Joan Mitchell Foundation Grant Award Artist-in-Residence, Skowhegan School of Painting and Sculpture, Skowhegan, Michigan Louis Comfort Tiffany Award New York State Council on the Arts Visual Artists Sponsored Work Award National Endowment for the Arts Individual Fellowship in Painting New York Foundation for the Arts Grant in Painting Art Matters, Inc. "Painters as Printmakers," NEA grant (through the Maryland Institute) in Printmaking Mellon Grant, The Maryland Institute, Maryland Ludwig Vogelstein Foundation Grant in Painting Trustees Award for Excellence in Teaching, Maryland Institute College of Art Summer Fellowship to Yaddo Artists' Colony, Saratoga Springs, New York
Selected Bibliography
2003 2002
"Splendid Pages: The Molly and Walter Bareiss Collection of Modern Illustrated Books," Exhibition catalog published by the Toledo Museum of Art, Toledo, OH, and Hudson Hills Press, Inc., New York, NY Rubinstein, Raphael, "A Quiet Crisis," Art in America, March, pp.39-45 "Art a Century Apart," The Clarion- Ledger, Jackson, MS, March 2, pp. 3F, 5F (illustration) Rubinstein, Raphael, and Jane Hammond, "On Collaboration," Artkrush, Issue 2, www.artkrush.com Cohen, Keri Guten, "Jane Hammond: Shanghai Costumes," Detroit Free Press, May 18 (illustration) Christopher, Andre, "Art History," Tennis Week Magazine, May 6, Cover and p. 43 (illustration) Lance, Tony, "Poster Girl," Tennis Magazine, June, p. 44 (illustration) Lehody, Frank K., "The Model Daughter," Roland Garros Magazine, pp. 56-60 (illustration) Lehody, Frank K., "Le Meilleur d'Hammond," Roland Garros' Le Quotidien Officiel 2003, pp. 38-39 (illustration) Lehody, Frank K., "Jane Hammond en Sept Questions," La Tribune de Roland Garros, Avril/Mai, pp. 1-2 (illustration) Wallach, Amei, "To a Painter, Words are Worth a Thousand Pictures,"
2001 1999
The New York Times, October 13, Arts and Leisure, Section Two, pp. 1, 37 (illustrations) "American Visionaries: Selections from the Whitney Museum of Art," Whitney Museum of American Art, New York, NY Hirsch, Faye, "Working Proof: Jane Hammond and Raphael Rubinstein," Art on Paper, December pp. 54-55 (illustration) Lovelace, Carey, "Jane Hammond at Galerie Lelong," Art in America, April, pp. 152 -153 (illustration) Carrier, David, "Jane Hammond at the Cleveland Center for Contemporary Art," Artforum, March, p. 144 (illustration) Princenthal, Nancy, "Be Zany, Poised Harpiss, Be Blue, Little Sparrows," Exhibition catalog published by Dieu Donne Lab Grant Program, Dieu Donne Papermill, New York, NY Lehman, David, "Jane Hammond," The Frances Dittmer Series on Contemporary Art, BOMB magazine, Fall, pp. 28-35 (illustration) Rubenstein, Raphael, "Back Stage: Secrets of Scene Painting," Exhibition catalog published by The Whitney Museum of American Art at Philip Morris, New York, NY Hirsch, Faye, "Paper Pulse: A Conversation with Jane Hammond," Art On Paper, March-April, Cover and pp. 64-69 (illustrations) Newhall, Edith, "Set Pieces," New York Magazine, Jan. 21-28, p. 95 (illustration) Devine, John, "What's in a Name," Houston Press, October 31-November 6, p. 58 (illustration) Johnson, Patricia C., "Play on Words," Houston Chronicle, September 28, pp. 9-10D (illustration) Perwaiz, Uruj, The Daily Cougar, October 2, p. 12 (illustration) "Art of the Butterfly: Body Language 2002 by Jane Hammond," American Butterflies, Summer, pp. 42-43 (illustration) Morse, Marcia, "Archaeology of the Surreal," Honolulu Weekly, May 22-28, p. 9 (illustration) Rizk, Mysoon, "Jane Hammond at the Cleveland Center for Contemporary Art," New Art Examiner, May-June, p. 91 (illustration) Hammond, Jane, "In Her Own Words: Wonderful You," Women in the Arts, Fall, p. 8-9 (illustration) Uberquoi, M.C., "Jane Hammond," El Cultural, Barcelona, Spain, December 5-11 "Digital: Printmaking Now," Exhibition catalog, Brooklyn Museum of Art, Brooklyn, NY Hirsch, Faye, "Working Proof," Art on Paper, July-August, p. 62 (illustration) Keri Guten Cohen, "Jane Hammond at Lemberg," Detroit Free Press, February 25, 2001, page 7G Joy Hakanson Colby, "Jane Hammond Puts Her Energy on Paper," The Detroit News, March 2, 2001 Frueh, Joanna, Laurie Fierstein, and Judith Stein, Picturing the Modern Amazon, Rizzoli and New Museum Books, New York, NY Zimmer, William, "A Return to the Stories that Viewers May Have Been Missing," The New York Times, Sunday, January 11, p. 18 (illustration) "Die Kunst der Linie" Exhibition Catalog, Landesmuseum, Linz, Austria Yovens, Rachel, "The Likeness of Being: Contemporary Self-Portraits by 60 Women," New York Arts, Vol. 5, no. 1, pp 49-52 and cover Cembalest, Robin, "The Woman in the Mirror," Elle, January, p. 34 (illustration) Rubinstein, Raphael, "Ashbery in Dargerland," Art in America, February, pp 37-39 Hirsch, Faye, "Working Proof," Art on Paper, March-April, p. 64 (illustration)
1999 1998 1997 1995
Lustfeldt, Heather, "Jane Hammond at Cohen," Review, December, Vol. 2, #2, p. 21 Molina, Angela, "Jane Hammond, en el Cementerio de Elefantes," ABC Newspaper, November 15 Oliver, Conxita, "El Velar I el Desvelar de Jane Hammond," Avui Newspaper, Culture Magazine supplement, Nov. 18, p. 19 Johnson, Ken, "Printmaking as a Magical Collaboration," The New York Times, July 30, p. B35 Johnson, Ken, "Art Guide," The New York Times, July 16, p. B38 Harrison, Helen A., "Updating and Adapting Traditions, of a Country or a Medium," The New York Times, Sunday, February 14, p. 23 (illustration) Cohen, Keri Guten, "Jane Hammond," Detroit Free Press, Sunday, May 2, p. 2E Salvaggio, Denise, "Living With Art," Orlando, April, pp. 50-54 "A Sustaining Passion: The Tsagaris/Hillberry Collection," Exhibition Catalog published by Cedar Rapids Museum of Art Vincent, Steven, "Silicon Gallery," Art & Auction, January, pp. 76-79, 114-115 Troy, Maria, "Greenville Rocks," The New Art Examiner, March, pp. 32-37 (illustration) Johnson, Ken, "Jane Hammond," The New York Times Art Guide, p. E36, March 13 Mitchell, Ben, "Jane Hammond at Greg Kucera," Artweek, January Corbett, William, "Queen Jane Approximately," Modern Painters, Summer, pp. 88-89 Brody, Jaqueline, "Paper," Brochure essay for exhibition at Dieu Donnй Press and Paper Thorson, Alice, "Cohen's `Preview' United Abstract Talents," The Kansas City Star, July 24, p. 11 Osman, Jana, Juliana Spahr, and Janet Zweig, "Different Languages," Chain, Issue 5, Small Press Distribution, Berkeley, CA, pp. 96-98 (illustration) Oksenhorn, Stewart, "Creating Art Our of Pandemonium," Aspen Times Weekly, June 27-28, pp. 1B, 9B-10B Cedrins, Inara, "Knowing Children," Cover, vol. 12, #4, p. 51 (illustrtion) ArtNews Special, January, p. 50 New York Magazine, April, p. 145 Levin, Kim, "Jane Hammond," The Village Voice, April 16-22, p. 12 Corbett, William, "Highlights: New York," Artsmedia, June, p. 35 Rubinstein, Raphael, "Jane Hammond at Luhring Augustine," Art in America, pp. 106 Schmerler, Sarah, "Jane Hammond," ArtNews, September, p. 130 Howard, Malcolm, "Universal Images," The Colorado Springs Independent, pp. 9-14 Betti, Claudia, and Teale Sale, Drawing, A Contemporary Approach, Fourth Edition, Harcourt Brace College Publishers, pp. 293-294 (illustration) Schwabsky, Barry, "New York," catalog essay for Gallery F-15, Moss, Norway Sandberg, Lotte, " New York pa Jeloy," Aften Polten, October 12, p. 25 (illustration) Flor, Harald, "Vold og Tyggis," Dagbladet, October 1 Jortveit, Anne Karin, "Chanel, pistalskudd-og liuslinjer," Klassekampen, October 4, p. 33 (illustration) Olsen, Ragnhild, "Med (tyggis) under stolen," Moss Avis, September 12, pp. 12-13 (illustration) Cameron, Dan, "Global Warming," ArtForum, December, p. 20 Hackett, Regina, "Hammond's Savvy Surrealism Makes Conscious Use of the Unconscious," Seattle Post Intelligencier, November 21, p. 21 Klawans, Stuart, "Museums," The Daily News, April 26. Smith, Robert, "A neo-Surrealist Show with a Revisionist Agenda," The New York Times, January 12, p. C23.
Duncan, Michael, "Report from Los Angeles," Art in America, January, p. 39. Holg, Garrett, Review of Zolla/Lieberman, Art News, February, p. 141, Framework, Vol. 7 Issue 3, p. 52. Princenthal, Nancy, "Now You See It, You Don't: The Magic Magic Book," Parkett 47, pp. 184-187 Suto, Wilma, "Een oor met ogen en een open boek," De Volkskrant, February 9 Lutticken, Sven, "De beeldbank van Hammond, " March 1 Warlow, Emma, "Desirable Deco," Apartment Living, April/May, p. 47 (cover image) Colby, Joy Hanson, "Anything Goes...Together in Hammond's Art," The Detroit News, Thursday, April 4, p. 1F Provenzano, Frank, "Layered Lyricism," Metrotimes, May 15-21, p. 20 Campbell, Shane, "Jane Hammond," The New Art Examiner, September Bee, Susan, and Mira Schor, "Jane Hammond," New Observations, #113, Winter, cover, pp. 8-9 Yeo, Ricky, "Looking Good," IQ Magazine (Singapore,) cover, pp. 28-32 1996 Pagel, David, "Entering a Psychic World of Stimulating Hyperactivity," Los Angeles Times, January 19, F8 McGee, Celia, "Book Tricks from Ricky Jay and the Whitney," The New York Observer, p. 24 Frank, Peter, "Art Picks of the Week: Dominique Blain, Jane Hammond, Subtle Differences," LA Weekly, February 3-9 Field, Richard, "Contemporary Emblems," Reinventing the Emblem, Yale University Art Gallery, New Haven, CT Diehl, Carol, "Jane Hammond--Jose Freire," ArtNews, February, p. 126 Stein, Judith, "The Word Made Image," Art in America, May, pp. 98-101 "The Printroom of the Yale University Art Gallery," Print Collector's Newsletter, March-April, p.14 Scott, Sue, "Selective Visions," Art & Antiques, November, pp. 92-95 "1995 Acquisitions-The Hallmark Collection" (back cover) Cuperman, Pedro, "Sips and Slips," Point of Contact, Vol. 4, No. 2, Fall, pp. 73-80 Zinnes, Harriet, "Jane Hammond," Art Papers, March and April, p. 57 Hackett, Regina, "Sex Show at Greg Kucera Runs Controversial to Serene," Seattle Post Intelligencer, February 10 1994 Smith, Robert, "Jane Hammond at Jose Freire," The New York Times, November 4, p. C30 Cottingham, Laura, "On the Precipice of Poetic Justice," Catalog essay for the exhibition at Jose Freire Fine Art, New York City, October Cameron, Dan, "Critical Edge: The Easel Way Out," Art & Auction, December, pp. 66-69 "Here Comes the Future: 25 Faces Facing Forward," Interview Magazine, October, p. 66 "Self-Portrait by Jane Hammond," The New Yorker, October 31, p. 22 Bishop, Philip, "Her Paintings Are Meditations on Detail," The Orlando Sentinel, December 11 1992 Kertess, Klaus, "See Jane Paint," April, essay for exhibition at Jose Freire Fine Art, 1993 New York, NY Findsen, Owen, "Exhibits for Art Museum's 1993-94 Season," Cincinnati Enquirer, June 23 Hackett, Regina, "Review," Seattle Post-Intelligencer, April 16 (illustration) Liebman, Lisa, "Art, Finite Universe," The New Yorker, April 12 Ament, Doloris Tarzan, "New York Artist Makes Beautiful Impressions," The Seattle Times, April 8 (illustration) Johnson, Ken, "Jane Hammond at Jose Freire," Art in America, October, p. 126
1992 1991 1990
(with illustration) Cameron, Dan, "What Goes Around," Art and Auction, October, pp. 80-81 Cotter, Holland, "Review," The New York Times, April 23, p. C28 Levin, Kim, "Voice Choice," The Village Voice, April 13 The New Yorker, "Finite Universe," April 12, page 14 Iannacci, Anthony, "Review," ARTFORUM, January (illustration) Wasserman, Burton, "Exhibitions in Sight," Art Matters, February, p. 3 Cameron, Dan, "Don't Look Now," Frieze, Issue 3, pp. 4-8 Drucker, Johanna, "Visual Pleasure: A feminist perspective," Meaning #11, May, pp. 3-11 Hermanns, Ralph, "Pussellexicon fцr Konstnarer," Dagens Industri, Sweden, page 43, (illustrations) Olofsson, Anders, "Jane Hammond," Material #8, page 43 Cameron, Dan, "The Outlaw Academy," Art and Auction, April, p. 96-98 Williams, Gilda, "Review," Flash Art, December, Italian Edition Dubin, Zan, "Painting Themselves Out of a Corner," Los Angeles Times, October 10 (photo) Curtis, Cathy, "Women's Work: Rich, Shocking," Los Angeles Times, October 16 Liberio, Lydia, "What If Andy Warhol and Roy Lichtenstein Had Been Women?" The Irvine World News, October 15, B17 (photo) Myers, Terry R., "Fear Strikes Out," QW, October 4, pp. 38-39 Ayerza, Josephina, "Interview with Jane Hammond," Lacanian Ink, #6, pp. 68-75 (with illustrations) Evans, Steven, "Review of Painting Culture," NYO, November 10, p. 34 Kozik, K.K., "Jane Hammond, fiction/non-fiction," Cover Magazine, October Mahoney, Robert, New York reviews, Art & Antiques, October Kimmelman, Michael, "Painting Culture," The New York Times, November 1 Hess, Elizabeth, "Death to the Masters," Village Voice, October 22 Cyphers, Peggy, "New York in Review," Arts Magazine, September, p. 7 Rosenberg, Barry A., and Carol Nathanson, "Words & #s," Museum of Contemporary Art, Wright State University, Dayton, OH (illustrations) Handy, Ellen, "Abstract Information--First Impressions, Last Resorts: Printmaking at the End of the Century," Sacred Heart University, Fairfield, CT (illustration) Levin, Kim, "Voice Choices: Jane Hammond at fiction/nonfiction," The Village Voice, June 4, p. 115 Taylor, Fredrieke, "Alchemy," New Observations, number 84 (illustrations) Colby, Joy, Detroit News, March 29, pp. 1C-2C Miro, Marcia, Detroit Free Press, March 31, p. 4C Hixson, Kathryn, "Chicago in Review," Arts Magazine, January, p. 107 (illustration) Creeley, Robert, "Never Lose Your Paper," catalog essay, Universal Limited Art Editions, New York, NY Ackley, Clifford, "The Unique Print Today," catalog essay, Museum of Fine Arts, Boston (illustration) Kiehl, David, "On American Printmaking," catalog essay 11th British International Print Biennale, Bradford Art Galleries and Museums, Bradford, England Bowman, Russel, and Dean Sobel, "Word as Image: American Art 1960 to 1990," catalog essay, Milwaukee Art Museum, Milwaukee, WI (illustration) Handy, Ellen, "The Pearls and the String, Jane Hammond's Associative Method," Arts Magazine, September, pp. 47-51 (illustrations)
Ashbery, John, "Jane Hammond New Paintings," catalog essay, Wetterling Gallery McCracken, David, "Hammond Leaves Pictorial Story to Viewer," Chicago Tribune, Friday, November 16 Barckett, Lynda, "Jane Hammond at the Zolla/Lieberman Gallery," Reader, November 23, p. 29 Enders, Alexandra, "Family Portraits," Art & Antiques, October, p. 67 (illustration) McGovern, Adam, "Summer Group Show: Prints and Works on Paper," Cover, September Harrison, Helen, A., "Blurring Artistic Distinctions," The New York Times, July 8 Jensen, James, "Recent Paintings," catalog essay for exhibition at the Honolulu Academy of Arts, Honolulu, Hawaii, May/June Myers, Terry, R., "New York Fax," Art Issues, May, p. 34 Hess, Elizabeth, "Fly on the Wall," The Village Voice, February 27, p. 84 (illustration) Atkins, Robert, "New This Week," Seven Days, February 28, p. 52 Myers, Terry R., "Review," Flash Art, Summer, p. 150 (illustration) Morse, Marcia, "Disparities the Eye Somehow Connects," The Sunday Star-Bulletin and Advertiser, June 17, Honolulu, Hawaii, E10 (illustrations) 1988 Walker, Barry, "Projects and Portfolios," catalog essay for exhibition at the Brooklyn Museum, Brooklyn, NY, October (with illustration) Creeley, Robert, "Here," Catalog Essay, Exit Art (illustrations) Myles, Eileen, "Review," Art in America, October, (illustration) Papadakis, Andrea, ed., New York, New Art, vol. 5, pp. 62-65 (illustration) Miro, Marsha, "Review," Detroit Free Press, August 13, 6G (illustration) Henry, Gerrit, "Reading Jane Hammond," The Print Collector's Newsletter, SeptemberOctober, pp. 128-129 (illustration) Shestak, Mel, "New York," Contemporanea, September, p. 33 Hirsh, David, "Summer Thrills for Humid Heat," The New York Native, July 24, p. 30 Atkins, Robert, Arena, June, pp. 109-110 (illustration) Cirincone, Janine, "Review," Cover Magazine, April, p. 14 Bass, Ruth, "Review," ARTnews, May, pp. 171-172 (illustration) Mahoney, Robert, "Review," Arts, Summer, p. 96 (illustration) Myers, Terry R., "Review," Art Today-Videotape, February Фblкk, Spring, 11 illustrations Van Wagner, Judy K. Collischan, Lines of Vision, Hudson Hills Press, NY, p. 69 (illustration) 1987 Huntington, Richard, "Hammond Paintings Present a Challenge," The Buffalo News, December 9, p. 27 Bass, Ruth, "New York, New York," ART-TALK, August/September, p. 58 Dorsey, John, "Six Painters Try Their Heads at Printmaking," The Baltimore Sun, June 4, E1, 6 (illustration)

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